A work in constant progress (and occasional regress).
Release Date:
February 13, 2004
Original Title:
50 First Dates
Alternate Titles:
50 krát a stále po prvý raz
50 pershykh potsilunkiv
50 pervykh potseluyev
50 pŭrvi sreshti
50 เดท จีบเธอไม่เคยจำ
50x a stále poprvé
50回目のファースト・キス
Cheotkisuman 50baenjjae
Como Si Fuera la Primera Vez
Como si Fuera la Primera Vez
Como si fuera la primera vez
Káthe Forá, Próti Forá
Mereu la prima întâlnire
Pedeset prvih sastanaka
Genres:
Comedy | Romance
Production Companies:
Anonymous Content
Columbia Pictures
Flower Films
Happy Madison Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CA: PG CH: 6 CZ: U DE: 6 ES: 7 FR: TP GB: 12A HU: 12 IE: 12 IT: T JP: G KR: 15 NL: 6 PL: 12 RO: 15 RU: 12+ US: PG-13
Runtime: 99
Henry is a player skilled at seducing women. But when this veterinarian meets Lucy, a girl with a quirky problem when it comes to total recall, he realizes it's possible to fall in love all over again…and again, and again. That's because the delightful Lucy has no short-term memory, so Henry must woo her day after day until he finally sweeps her off her feet.
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ADR Editor:
Russell Farmarco
ADR Mixer:
Howard Carle
ADR Recordist:
Howard London
ADR Supervisor:
David Bach
Additional Camera:
David Gasperik
Additional Second Assistant Director:
Matthew D. Smith
Aerial Director of Photography:
Hans Bjerno
Art Department Assistant:
Nicole Nakamoto
Art Department Coordinator:
Dru Homer
Art Direction:
Domenic Silvestri
Assistant Accountant:
Steven Butensky
Assistant Art Director:
Donald B. Woodruff
Assistant Camera:
Matthew Berner
Assistant Chief Lighting Technician:
Michael K. O'Melia
Assistant Costume Designer:
Jeannie H. Kelly
Clare Hallworth
Assistant Director:
Laura Weiss
Assistant Location Manager:
Claudia Bestor
Assistant Production Coordinator:
Demelza Cronin
Assistant Sound Editor:
Drake Jenevein
Associate Producer:
Kevin Grady
Boom Operator:
Robert Jackson
Camera Loader:
Shayna Ritenour
Camera Operator:
Stephen S. Campanelli
Carpenter:
Bruce Richter
Casting:
Roger Mussenden
Casting Assistant:
Kendra Carter
Casting Associate:
Elizabeth Boykewich
Co-Producer:
Scott Bankston
Larry Kennar
Color Timer:
Dan Muscarella
Colorist:
Greg Curry
Conceptual Illustrator:
John Puglisi
Construction Coordinator:
Karen Higgins
Construction Grip:
Ricky Johnson
Costume Design:
Ellen Lutter
Costume Supervisor:
Robert Q. Mathews
Costumer:
Anthony Franco
Craft Service:
Sandy Reed
Dialogue Editor:
Robert Jackson
Digital Color Timer:
Paul McGhee
Digital Compositor:
Christian Boudman
Digital Effects Supervisor:
Reid Paul
Director:
Peter Segal
Director of Photography:
Jack N. Green
Dolly Grip:
James D. Wickman
Driver:
Bruce Comtois
Editor:
Jeff Gourson
Electrician:
Justin Duval
Executive Producer:
Michael Ewing
Daniel Lupi
Jay Roach
Extras Casting:
Brad Kenny
Extras Casting Assistant:
Mele K.T. Locey
First Assistant Camera:
Bill Coe
First Assistant Director:
Adam Druxman
Foley Artist:
Vincent Guisetti
Foley Editor:
Marc Glassman
Foley Mixer:
Kyle Rochlin
Graphic Designer:
Martin Charles
Greensman:
Bob Skemp
Grip:
Rick Crum
Hair Department Head:
Nancy Tong
Hairstylist:
Lona Vigi
Key Grip:
Charles Saldaña
Key Hair Stylist:
Pauletta O. Lewis
Key Makeup Artist:
Carme Tenuta
Key Rigging Grip:
T. Daniel Scaringi
Leadman:
Mark Weissenfluh
Lighting Technician:
Mike Macias
Location Manager:
Rodney Brown Alamo
Location Scout:
Scott Trimble
Makeup Artist:
Robin Fredriksz
Ann Pala
Makeup Department Head:
Rose Librizzi
Music Editor:
Stuart Grusin
J.J. George
Music Supervisor:
Michael Dilbeck
Musician:
Mike Deasy
Negative Cutter:
Mo Henry
Orchestrator:
Pete Anthony
Original Music Composer:
Teddy Castellucci
Painter:
David Carberry
Payroll Accountant:
Michael Roccuzzo
Producer:
Jack Giarraputo
Steve Golin
Nancy Juvonen
Production Accountant:
Megan Mathews
Production Assistant:
Scott Berrie
Production Coordinator:
Susan Ehrhart
Production Design:
Alan Au
Production Secretary:
Kerri Smeltzer
Production Sound Mixer:
David Kelson
Production Supervisor:
Will Weiske
Property Master:
Timothy S. Wiles
Propmaker:
Richard Robinson
Rigging Grip:
T. Daniel Scaringi
Rotoscoping Artist:
Lea Lambert
Screenplay:
George Wing
Script Supervisor:
Nancy Karlin
Second Assistant Accountant:
Kenny Gallagher
Second Assistant Director:
Joseph J. Kontra
Second Second Assistant Director:
Timothy Grant Engle
Second Unit:
James D. Bissell
Second Unit Director:
Jim Bissell
Set Costumer:
Laurel Frushour
Set Decoration:
Robert Greenfield
Set Designer:
Gregory S. Hooper
Set Dresser:
Oscar Delgadillo
Set Medic:
Dave Moorer
Set Painter:
Chris Samp
Software Engineer:
John Charles
Sound Effects Editor:
Cameron Steenhagen
Orada Jusatayanond
Sound Recordist:
Sean Landeros
Special Effects Technician:
Roger Kelton
Standby Painter:
Bill 'Kauhane' Hoyt
Still Photographer:
Darren Michaels
Storyboard Artist:
P.K. MacCarthy
Alex Hillkurtz
Stunt Coordinator:
Webster Whinery
Stunt Double:
Brycen Counts
Stunt Driver:
Adam Pinkstaff
Stunts:
Crystal Michelle
Michael Adams
Katie Wright Pere
Paul Eliopoulos
Michael T. Brady
Gary Guercio
Supervising Sound Editor:
Elmo Weber
Supervising Sound Effects Editor:
Derek Vanderhorst
Telecine Colorist:
Skip Kimball
Title Designer:
Thomas Cobb
Transportation Captain:
Kirk Huston
Transportation Coordinator:
Geno Hart
Travel Coordinator:
Georgina Marquis
Unit Production Manager:
Daniel Lupi
Unit Publicist:
Spooky Stevens
Utility Sound:
Daniel Brock
Video Assist Operator:
Alfred Ainsworth
Visual Effects Compositor:
Todd Mesher
Visual Effects Coordinator:
Eddie Soria
Visual Effects Editor:
Steve Rhee
Visual Effects Producer:
Victoria Alonso
Visual Effects Supervisor:
Sheena Duggal
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.