A work in constant progress (and occasional regress).
Release Date:
February 17, 2009
Original Title:
Screamers: The Hunting
Alternate Titles:
Asesinos cibernéticos 2
Az elhagyott bolygó 2.
Screamers - The Hunting
Screamers 2 - L'evoluzione
Screamers 2: The Hunting
Tajemnica Syriusza: Polowanie
Genres:
Action | Horror | Science Fiction
Production Companies:
Pope Productions
Production Countries:
Canada
Ratings / Certifications:
AU: MA15+ DE: 16 GB: 18 HU: 18 PL: 18 SE: 15 US: R
Runtime: 94
A group of humans arrive on Sirius 6-B to investigate an SOS signal sent out from the planet, which has been supposedly deserted since the destruction of the man-made weapons known as "screamers." Once the squad arrives, they find a group of human survivors eking out an existence in an old military outpost.
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ADR Editor:
Jacques Plante
ADR Mixer:
David Ho
Dave Fritz
ADR Recordist:
Benoît Leduc
Jo Caron
Animation:
Jeremy Lambolez
George Fronimadis
Charles Gauvreau
Philip Melancon
Animation Supervisor:
Marcus Alqueres
Art Direction:
Shelley Cornick
Assistant Art Director:
Jason Clarke
Jason Clarke
Assistant Editor:
Marie-Lou Gingras
Best Boy Lighting Technician:
Flora Planchat
Boom Operator:
Mark Neary
Carpenter:
Jeff Baggs
Sam Paterson
Paul Wade
Casting:
Fern Champion
Baptiste Neis
Lisa Parasyn
Casting Assistant:
Brent Waffle
Co-Executive Producer:
Josée Bernard
Colorist:
Michel Leroux
Construction Coordinator:
Murray Keith
Creature Design:
Mark Dubeau
Dialogue Editor:
Valéry Dufort-Boucher
Digital Imaging Technician:
David Cox
Director:
Sheldon Wilson
Director of Photography:
John P. Tarver
Dolly Grip:
Tim Milligan
Editor:
Isabelle Levesque
Executive Producer:
Tom Berry
Antony I. Ginnane
Charles W. Fries
First Assistant Director:
Craig Wallace
Foley Recordist:
Benoît Leduc
Jo Caron
Gaffer:
Robert J. Petrie
Generator Operator:
Tim Murphy
Grip:
John Roche
Andrew Best
Jason Andrews
Gun Wrangler:
Gary Allen Ferguson
Hairstylist:
Julie Wiktowy
Key Grip:
Karl Simmons
Key Makeup Artist:
Dorothy Martin
Key Scenic Artist:
Derek Holmes
Legal Services:
Joe Sisto
Music:
Benoit Grey
Online Editor:
Marie-Lou Gingras
Original Story:
Philip K. Dick
Painter:
Gord Hammond
Post Production Consulting:
Mark Arcieri
Producer:
Paul Pope
Stefan Wodoslawsky
Production Coordinator:
Erin French
Production Design:
James McAteer
Prosthetics:
Kathy Tse
Screenplay:
Miguel Tejada-Flores
Script Supervisor:
Marianne Girard
Sculptor:
Serge Lavigueur
Second Assistant "A" Camera:
Mark O'Neill
Second Assistant Director:
David Forsyth
Second Unit Director:
Gordon Yang
Set Buyer:
Lori Ann Benson
Set Dresser:
Duane Chard
Set Medic:
Ian Melvin Kam
Sound Designer:
Christian Rivest
Sound Effects Editor:
Denys Dufresne
Sound Mixer:
Larry Hopkins
Sound Re-Recording Mixer:
Christian Rivest
Sound Recordist:
Paul Steffler
Special Effects Assistant:
Collin Oglestone
Lisa Godwin
Mike Friesen
Special Effects Coordinator:
Wade Maurer
Special Effects Supervisor:
Leo Wieser
Still Photographer:
Chris Large
Story:
Tom Berry
Storyboard Artist:
Jose Holder
Stunt Coordinator:
Mike Chute
Supervising Producer:
Gordon Yang
Transcriptions:
Salma Ayache
Visual Effects Coordinator:
Jacinthe Côté
Visual Effects Producer:
Yanick Wilisky
Marc Bourbonnais
Writer:
Miguel Tejada-Flores
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.