Antony I. Ginnane (b. 1949)

Birthplace:
Melbourne, Victoria, Australia

Born:
January 1, 1949

Antony I. Ginnane has been involved in all aspects of the film industry for 30 years. During that time, as a film maker he has produced 54 feature films, MOWs and mini series: 20 as Producer and 34 as Executive Producer. His films have been shown all over the world and have achieved both critical acclaim and box office success.

Additional information:

The Search Form


Director:
1971  Sympathy in Summer

Executive Producer:
1971  Sympathy in Summer
1987  Dark Age
1987  Great Expectations: The Untold Story
1987  High Tide
1987  Initiation
1987  The Lighthorsemen
1987  The Time Guardian
1988  Boundaries of the Heart
1988  Grievous Bodily Harm
1988  Savage Justice
1988  The Dreaming
1988  The Everlasting Secret Family
1988  The Tale of Ruby Rose
1988  Whiteforce
1989  Incident at Raven's Gate
1989  Mull
1989  The Siege of Firebase Gloria
1990  Driving Force
1995  No Contest
1998  Men with Guns
1998  The Truth About Juliet
1999  Black Light
1999  Sally Marshall Is Not an Alien
2000  Reaper
2001  Lawless: Beyond Justice
2001  Sweet Revenge
2010  Arctic Blast
2011  Metal Tornado

Idea:
1971  Sympathy in Summer
1976  Fantasm
1987  Dark Age
1987  Great Expectations: The Untold Story
1987  High Tide
1987  Initiation
1987  The Lighthorsemen
1987  The Time Guardian
1988  Boundaries of the Heart
1988  Grievous Bodily Harm
1988  Savage Justice
1988  The Dreaming
1988  The Everlasting Secret Family
1988  The Tale of Ruby Rose
1988  Whiteforce
1989  Incident at Raven's Gate
1989  Mull
1989  The Siege of Firebase Gloria
1990  Driving Force
1995  No Contest
1998  Men with Guns
1998  The Truth About Juliet
1999  Black Light
1999  Sally Marshall Is Not an Alien
2000  Reaper
2001  Lawless: Beyond Justice
2001  Sweet Revenge
2010  Arctic Blast
2011  Metal Tornado

Presenter:
1971  Sympathy in Summer
1976  Fantasm
1981  Strange Behavior
1981  The Survivor
1987  Dark Age
1987  Great Expectations: The Untold Story
1987  High Tide
1987  Initiation
1987  The Lighthorsemen
1987  The Time Guardian
1988  Boundaries of the Heart
1988  Grievous Bodily Harm
1988  Savage Justice
1988  The Dreaming
1988  The Everlasting Secret Family
1988  The Tale of Ruby Rose
1988  Whiteforce
1989  Incident at Raven's Gate
1989  Mull
1989  The Siege of Firebase Gloria
1990  Driving Force
1995  No Contest
1998  Men with Guns
1998  The Truth About Juliet
1999  Black Light
1999  Sally Marshall Is Not an Alien
2000  Reaper
2001  Lawless: Beyond Justice
2001  Sweet Revenge
2010  Arctic Blast
2011  Metal Tornado

Producer:
1971  Sympathy in Summer
1976  Fantasm
1977  Blue Fire Lady
1977  Fantasm Comes Again
1978  Patrick
1979  Snapshot
1979  Thirst
1980  Harlequin
1981  Race for the Yankee Zephyr
1981  Strange Behavior
1981  The Survivor
1982  Turkey Shoot
1984  Second Time Lucky
1985  Mesmerized
1987  Dark Age
1987  Great Expectations: The Untold Story
1987  High Tide
1987  Initiation
1987  The Lighthorsemen
1987  The Time Guardian
1988  Boundaries of the Heart
1988  Grievous Bodily Harm
1988  Killer Instinct
1988  Savage Justice
1988  The Dreaming
1988  The Everlasting Secret Family
1988  The Tale of Ruby Rose
1988  Whiteforce
1989  Incident at Raven's Gate
1989  Minnamurra
1989  Mull
1989  The Siege of Firebase Gloria
1990  Demonstone
1990  Driving Force
1990  Project Alien
1995  No Contest
1998  Men with Guns
1998  The Truth About Juliet
1999  Black Light
1999  Sally Marshall Is Not an Alien
2000  Reaper
2001  Lawless: Beyond Justice
2001  Sweet Revenge
2001  The Hit
2010  Arctic Blast
2011  Metal Tornado
2013  Patrick
2014  Elimination Game
2020  Never Too Late
2022  Girl at the Window

Executive Producer:
1988  Emma: Queen of the South Seas

Producer:
1988  Emma: Queen of the South Seas
2017  Pulse

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.