A work in constant progress (and occasional regress).
Release Date:
May 14, 2025
Original Title:
Hurry Up Tomorrow
Alternate Titles:
Hurry Up Tomorrow - Az éjszaka határán
Hurry Up Tomorrow: Más allá de los reflectores
Misery
Последнее завтра
明日匆匆
Genres:
Music | Thriller
Production Companies:
Live Nation Productions
Manic Phase
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: MA 15+ BE: 16 BR: 16 CA: 14A CL: 14 DE: 16 FR: 12 GB: 15 GR: K15 HU: 16 IE: 15A IT: 14+ MX: B-15 NL: 16 NZ: R16 PR: R RU: 16+ TR: 16+ UA: 16+ US: R VI: R ZA: 16
Runtime: 105
A musician plagued by insomnia is pulled into an odyssey with a stranger who begins to unravel the very core of his existence.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Orlando Duguay
"B" Camera Operator:
Iain Trimble
David Edsall
Art Direction:
Jason Zev Cohen
Matthew Pomerantz
Associate Producer:
Austin Anderson
Casting:
Avy Kaufman
Casting Associate:
Brigitte Whitmire
Chief Lighting Technician:
Cody Jacobs
Danny Gonzalez
Co-Executive Producer:
La Mar Taylor
Amir Esmailian
Consulting Editor:
Matthew Hannam
Costume Design:
Erin Benach
Hannah Jacobs
Director:
Trey Edward Shults
Director of Photography:
Chayse Irvin
Editor:
Trey Edward Shults
Executive Producer:
Trey Edward Shults
Jenna Ortega
Michael Rapino
Ryan Kroft
Wassim Sal Slaiby
Harrison Huffman
First Assistant Director:
Spencer Taylor
Foley Artist:
Katarzyna Jastrzębska
Bartosz Mazur
Jacek Wiśniewski
Foley Editor:
Natalia Lubowiecka
Kamil Kwiatkowski
Foley Mixer:
Beata Klimaszewska
Michał Wilczewski
Hair Department Head:
Kathrine Gordon
In Memory Of:
Kevin Turen
Key Hair Stylist:
Joe Negrete
Shay Sanford-Fong
Key Makeup Artist:
Silvina Knight
Lighting Technician:
Brandon Hoeg
Kevin Brenner
Tyler Bills
Nelson Nguyen
Loren Johnson
Main Title Designer:
Sebastian Pardo
Makeup Artist:
Kevin Kirkpatrick
Makeup Department Head:
Douglas Noe
Music Editor:
Johnnie Burn
Original Music Composer:
The Weeknd
Daniel Lopatin
Producer:
Kevin Turen
The Weeknd
Harrison Kreiss
Reza Fahim
Production Design:
Elliott Hostetter
Production Manager:
Harrison Huffman
Script Supervisor:
T.J. Larson
Second Assistant Director:
George Williams III
Tara Hunter
Second Second Assistant Director:
Tara Hunter
Set Decoration:
Adam Willis
Set Decoration Buyer:
Dani Broom-Peltz
Set Designer:
Bryan Langer
Nathan Lay
Andrew Hull
Set Dresser:
Max Bostic
Paul Boucher
Shane John
Jaudi Negri
Billy Sender
Britni West
Songs:
The Weeknd
Sound Designer:
Johnnie Burn
Sound Editor:
Maximilian Behrens
Sound Effects Editor:
Brendan Feeney
Max Behrens
Simon Carroll
Alex Nicholls-Lee
Sound Mixer:
Amanda Beggs
Ben Greaves
Special Effects Coordinator:
Jeremy Hays
Special Effects Technician:
Javier Lomeli Jr.
Chris Deaton
Randy Krohmer
David Reeder
Stunt Coordinator:
Susan Purkhiser
Heather Bonomo
Stunt Double:
Nathan People
Miluette Nalin
Ben Tardif
Stunt Driver:
Roman Mitichyan
Susan Purkhiser
Stunts:
Casara Clark
Thanks:
Aaron Becker
Kelvin Harrison, Jr.
Metro Boomin
Drew Daniels
Michael Gandolfini
Mike Dean
Gaspar Noé
Visual Effects Producer:
Matt Cameron
Visual Effects Supervisor:
John Nelson
John Brubaker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.