Drew Daniels

Drew Daniels is a Texan cinematographer, best known for his work with director Trey Edward Shults.

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Camera Operator:
2010  Dance with the One

Cinematography:
2010  Dance with the One
2012  Death Grip
2013  Rope a Dope
2015  Rope a Dope 2
2017  Minutes

Director of Photography:
2010  Dance with the One
2011  First Date
2011  Paper Pushers
2012  Death Grip
2012  Saturday Morning Massacre
2013  Rope a Dope
2014  Krisha
2015  Rope a Dope 2
2015  Vanity
2016  Found Footage 3D
2016  Krisha
2016  Thunder Road
2017  Here We Are
2017  It Comes at Night
2017  Men Don't Whisper
2017  Minutes
2018  Are You Still Singing?
2018  Arizona
2018  Don't Be a Hero
2018  Everything Mattress
2018  Parent Teacher
2019  Lil Rel Howery: Live in Crenshaw
2019  Skin
2019  Waves
2020  The Boy from Medellín
2021  Americanized
2021  Red Rocket
2021  The One
2024  Anora

Grip:
2009  The 2 Bobs
2010  Dance with the One
2011  First Date
2011  Paper Pushers
2012  Death Grip
2012  Saturday Morning Massacre
2013  Rope a Dope
2014  Krisha
2015  Rope a Dope 2
2015  Vanity
2016  Found Footage 3D
2016  Krisha
2016  Thunder Road
2017  Here We Are
2017  It Comes at Night
2017  Men Don't Whisper
2017  Minutes
2018  Are You Still Singing?
2018  Arizona
2018  Don't Be a Hero
2018  Everything Mattress
2018  Parent Teacher
2019  Lil Rel Howery: Live in Crenshaw
2019  Skin
2019  Waves
2020  The Boy from Medellín
2021  Americanized
2021  Red Rocket
2021  The One
2024  Anora

Director of Photography:
2019  Euphoria
2019  Quarter Life Poetry
2022  Outer Range
2023  Swarm

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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