Angel of Death (2020-2024)

Premiere:
April 30, 2020

# of Seasons: 4

# of Episodes: 28

Finale:
November 15, 2024

Creators:
Igor Brejdygant

Original Title:
Szadź

Alternate Titles:
Angel of Death

Genres:
Crime

Production Companies:
Akson Studio
TVN Group

Countries:
PL

A small-town policewoman is chasing a vicious serial killer; at stake is first a country girl's life, and then her own life.

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Administration:
Gabriela Ciechanowiecka

Assistant Editor:
Robert Kozłowski

Assistant Makeup Artist:
Martyna Dobrowolska

Camera Operator:
Michał Nowakowski
Mikołaj Łebkowski

Casting:
Marta Kownacka
Agnieszka Kozak

Catering:
Aneta Kielak

Characters:
Igor Brejdygant

Costume Assistant:
Martyna Cierpisz

Costume Design:
Wanda Kowalska

Director of Photography:
Michał Łebkowski

Editor:
Przemysław Lisak

Executive Producer:
Michał Kwieciński

Health and Safety:
Wojciech Konkol

Main Title Theme Composer:
Paweł Lucewicz

Makeup Artist:
Dariusz Krysiak

Online Editor:
Joanna Skórka

Original Music Composer:
Bartłomiej Zajkowski

Post Production Coordinator:
Monika Lang

Producer:
Adrianna Przetacka
Michał Kwieciński

Production Coordinator:
Katarzyna Jurek

Production Manager:
Tomasz Parnowski
Magdalena Badura

Production Supervisor:
Marta Grela-Gorostiza
Łukasz Poniński

Props:
Marcin Rozman

Public Relations:
Katarzyna Zielińska

Pyrotechnician:
Arkadiusz Rośczak

Set Designer:
Joanna Anastazja Wójcik

Sound:
Sebastian Kordasz
Jakub Lenarczyk

Sound Editor:
Jakub Lenarczyk

Special Effects:
Bartosz Rośczak

Steadicam Operator:
Maciej Tomków
Mateusz Wasążnik
Tomasz Karnowski

Storyboard:
Jan Topczewski

Stunt Coordinator:
Jarosław Golec

Stunts:
Agnieszka Pawłowska
Joanna Różańska
Natalia Sterniak
Maria Szczepankiewicz
Filip Bucki
Michał Burdan
Łukasz Czubak
Mateusz Głowacki
Artur Grabowiec
Tomasz Koszański
Damian Majewski
Michał Michalski
Kajetan Miros
Konrad Ostrowski
Kamil Pardo
Piotr Popko
Jarosław Stachera
Michał Szulejewski

Supervising Producer:
Małgorzata Fogel-Gabryś

Underwater Camera:
Artur Zwierzchowski

Visual Effects:
Piotr Skórka

Writer:
Michał Godzic

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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