A work in constant progress (and occasional regress).
Premiere:
September 29, 2019
# of Seasons: 1
# of Episodes: 2
Finale:
October 6, 2019
Original Title:
Thanks for the Memories
Genres:
Comedy
Countries:
DE
Lively Joyce Conway is happy with her life: her boyfriend Conor loves her, she enjoys her job behind the scenes at the local radio station and her relationship to father could not be better. But everything is turned upside down after she has an accident requiring a blood transfusion. She subsequently wakes up with memories that are not hers.
ADR Mixer:
Robert Edwards
Art Direction:
Ellena Bleathman
Assistant Art Director:
Steven Granger
Assistant Costume Designer:
Ellen Crawshaw
Casting:
Jennifer Duffy
Choreographer:
Paul Harris
Construction Coordinator:
Steve Patterson
Costume Design:
Nigel Egerton
Costume Supervisor:
Lucy McGill
Dialogue Editor:
Helen Dickson
Michele Woods
Director of Photography:
Robin Whenary
Electrician:
Raz Khamehseifi
Executive Producer:
Rikolt von Gagern
Herbert G. Kloiber
First Assistant Camera:
David Agha-Rafei
First Assistant Director:
Peter Agnew
Gaffer:
Tim Jordan
Hair Designer:
Carol Cooper
Key Grip:
Juan Bueno
Line Producer:
Victoria Goodall
Makeup Artist:
Beth Long
Makeup Designer:
Carol Cooper
Novel:
Cecelia Ahern
Original Music Composer:
Graham Hadfield
Producer:
Simon Lewis
Production Coordinator:
Jane Dimmock
Production Design:
Alison Butler
Production Manager:
Emily Shapland
Property Master:
Nick Walker
Screenplay:
Damian Wayling
Script Supervisor:
Phillip Trow
Second Assistant Director:
Erin Large
Andrew Richards
Second Unit Director of Photography:
David Pimm
Set Decoration:
Katie Scopes
Sound Effects Editor:
Simon Gershon
Jonathan Smith
Sound Mixer:
Bruce Wills
Sound Recordist:
Gregor Mazurczuk
Still Photographer:
Des Willie
Stunt Coordinator:
Levan Doran
Third Assistant Director:
Eoin Canny
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.