A work in constant progress (and occasional regress).
Premiere:
February 3, 2018
# of Seasons: 1
# of Episodes: 8
Finale:
March 24, 2018
Original Title:
家族の旅路 家族を殺された男と殺した男
Alternate Titles:
Five Days to Execution
Kazoku no Tabiji
Genres:
Crime | Drama
Countries:
JP
A deeply suspenseful drama in which a young lawyer who survived the murder of his family 30 years ago confronts a criminal on death row. Thirty years ago, a family of three was slaughtered. Facing the death row convict accused of the crime is young lawyer Yusuke Asari (Hideaki Takizawa). Yusuke has been retained by a woman who wants him to request a retrial for the death row convict. The death row convict is none other than Kozo Yanase (Kenichi Endo), who killed Yusuke's parents and grandfather. Yusuke thus finds himself in the difficult position of requesting a retrial for the man who killed his own immediate family... As he goes over the accident, a series of shocking facts come to light one after the other. All these facts are somehow related to Yusuke, .and lead him to find the answer to the question: "Who am I?" His sense of duty as a lawyer and his emotions as a lonely man are put to the test. What awaits him once he overcomes bewilderment, conflict, and pain?
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.