A work in constant progress (and occasional regress).
Premiere:
January 8, 2016
# of Seasons: 1
# of Episodes: 12
Finale:
March 25, 2016
Original Title:
紅殻のパンドラ
Alternate Titles:
Pandora in the Crimson Shell: Ghost Urn
紅殻のパンドラ
홍각의 판도라
Genres:
Action & Adventure | Animation | Comedy | Sci-Fi & Fantasy
Production Companies:
AXsiZ
KADOKAWA Shoten
Lantis
Studio Gokumi
Countries:
JP
In an age when large-scale natural disasters frequently happen all over the world, when cyborgs and autonomous robots are beginning to appear on the market in technologically advanced nations, and major world powers compete for technology and resources, the divide between rich and poor grows and the future for the poor looks bleak. In this transitional stage, everyone wanders around in a self-indulgent daze and the way out isn't clear... This is the story of how two cybernetically enhanced girls meet.
3D Director:
Masato Takahashi
Art Direction:
Hiroki Matsumoto
Associate Producer:
Isao Ishikawa
Jun Fukuda
Mitsuhiro Ogata
Character Designer:
Takuya Tani
Color Designer:
Mayumi Tanahashi
Comic Book:
Koshi Rikudo
Director of Photography:
Yasuhiro Asagi
Editor:
Mutsumi Takemiya
Effects Supervisor:
Kazunori Ozawa
Executive Producer:
Daiji Horiuchi
Shunji Inoue
Tsuneo Takechi
Tetsuya Tsuchihashi
Tomonori Shibata
Fumihiko Shinozaki
Yota Tsuruoka
Lead Animator:
Daisuke Takemoto
Music Producer:
Shigeru Saito
Takuya Hosaka
Naoaki Ishihara
Original Concept:
Masamune Shirow
Original Music Composer:
Tomohisa Ishikawa
Tohru Fujimura
Youhei Matsui
Prop Designer:
Noriyuki Jinguji
Shigeyuki Koresawa
Series Composition:
Tatsuya Takahashi
Series Director:
Munenori Nawa
Sound Director:
Yota Tsuruoka
Sound Effects:
Hiromune Kurahashi
Supervising Animation Director:
Takuya Tani
Theme Song Performance:
Sanae Fuku
Manami Numakura
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.