The 7.39 (2014-2014)

Premiere:
January 6, 2014

# of Seasons: 1

# of Episodes: 2

Finale:
January 7, 2014

Creators:
David Nicholls

Original Title:
The 7.39

Alternate Titles:
Romance de gare
The 7.39
The 7:39
Zug um Zug

Genres:
Drama

Production Companies:
BBC
Carnival Films

Countries:
GB | US

Carl Matthews commutes by train to London where he works in a property management office under a boss who is pressuring him to dismiss an employee. He has a kind and supportive wife Maggie and two teenage children who he feels do not appreciate him. One morning he complains to a woman called Sally that she has taken his seat on the train. He later apologises to her and they start chatting, a relationship develops and she reveals that she is divorced but about to marry again, although scenes with her fiancée suggest she is going cold on the idea. She works at a health club and Carl joins it so that he can see more of her. They fall in love and one evening when the train is not running they spend the night together at a hotel. The second part of the drama deals with the repercussions of their affair.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Direction:
Nick Dent

Casting:
Nina Gold

Costume Design:
Lucinda Wright

Costume Supervisor:
Corinna Everett-Lyons

Director:
John Alexander

Director of Photography:
Matt Gray

Editor:
Roy Sharman

Editorial Services:
Des Murray

Makeup Artist:
Kathy Kneller

Makeup Department Head:
Catherine Scoble

Original Music Composer:
Adrian Johnston

Second Unit:
Christian Rigg
Nige Watson
Timothy Wood

Sound Effects Editor:
Mike Grimes

Stunt Coordinator:
Gary Connery

Stunts:
Justin Denton
Stephen Walsh

Transportation Captain:
Xen Xenophontos

Visual Effects:
Asa Shoul

Writer:
David Nicholls

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.