A work in constant progress (and occasional regress).
Premiere:
April 28, 1996
# of Seasons: 1
# of Episodes: 2
Finale:
April 29, 1996
Original Title:
The Beast
Alternate Titles:
Peter Benchley's The Beast
Genres:
Sci-Fi & Fantasy
Production Companies:
Universal Home Entertainment
Countries:
US
Mysterious deaths and unexplained disappearances begin to occur in the small seaport village of Graves Point. When a large, strange claw is discovered on an empty raft washing up on the shore, marine biologist Dr. Herbert Talley identifies it as belonging to a rare giant squid.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Robert Ulrich
Art Direction:
Colin Gibson
Casting:
Mary V. Buck
Susan Edelman
Construction Coordinator:
Philip Worth
Costume Design:
Margot Wilson
Dialogue Editor:
Norval D. Crutcher III
Bob McNabb
Director:
Jeff Bleckner
Director of Photography:
Geoff Burton
Editor:
Tod Feuerman
First Assistant Camera:
Leilani Hannah
First Assistant Director:
Colin Fletcher
Grip:
Jonas Juhanson
Makeup Artist:
Cassie Hanlon
Makeup Department Head:
Lesley Vanderwalt
Music Editor:
Stan Jones
Novel:
Peter Benchley
Original Music Composer:
Don Davis
Pilot:
Terry Lee
Production Design:
Owen Paterson
Production Manager:
Julia Ritchie
Script Supervisor:
Pamela Willis
Second Assistant Camera:
Jasmine Yuen Carrucan
Sound Designer:
Harry E. Snodgrass
Sound Effects Editor:
Gary S. Gerlich
William Hooper
Elliott Koretz
Special Effects Supervisor:
Bart Mixon
Stunt Coordinator:
Mike Cherrie
Supervising Sound Editor:
Richard LeGrand Jr.
Teleplay:
J.B. White
Underwater Camera:
Peter McDougall
Visual Effects Supervisor:
Gene Warren Jr.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.