Fireball XL5 (1962-1963)

Premiere:
October 28, 1962

# of Seasons: 1

# of Episodes: 39

Finale:
October 27, 1963

Creators:
Sylvia Anderson
Gerry Anderson

Original Title:
Fireball XL5

Genres:
Action & Adventure | Animation | Sci-Fi & Fantasy

Production Companies:
AP Films (APF)
Associated Television (ATV)
ITC Entertainment

Countries:
GB

Fireball XL5 is a science fiction-themed children's television show following the missions of spaceship Fireball XL5, commanded by Colonel Steve Zodiac of the World Space Patrol. The show was produced in 1962 by husband and wife team Gerry and Sylvia Anderson through their company APF, in association with ATV for ITC Entertainment. While developing his new show, Anderson thought a brand of motor oil—Castrol XL—had an interesting sound. A phonetic change created the name "Fireball XL", with the "-5" added as the title seemed a bit flat without the numeral. The show featured the Andersons' Supermarionation, a form of puppetry first introduced in Four Feather Falls and Supercar and used again in their subsequent productions such as Stingray and Captain Scarlet. Thirty-nine black and white half-hour episodes of Fireball XL5 were made on 35mm film: all future Anderson series were produced in colour. Several Anderson series have been shown in syndication in the US, but Fireball XL5 is the only Anderson series to have run on a US network. NBC ran the series in its Saturday morning children's block from 1963 through to September 1965. A similar programme often confused with Fireball XL5 is Space Patrol, produced by Gerry Anderson's ex business partner and co-founder of AP Films, Arthur Provis due to a number of similarities and settings.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Associate Producer:
Reg Hill

Producer:
Arthur Provis
Gerry Anderson

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.