A work in constant progress (and occasional regress).
Premiere:
December 27, 1999
# of Seasons: 21
# of Episodes: 273
Finale:
April 12, 2025
Creators:
Katharina Mestre
Original Title:
Die Pfefferkörner
Genres:
Action & Adventure | Crime | Family | Kids
Production Companies:
Letterbox Filmproduktion
Studio Hamburg
Studio Hamburg Filmproduktion
Countries:
DE
Die Pfefferkörner is a German television series produced by Der Kinderkanal. The peppercorns are five friends from Hamburg: Jana Holstein Coutre, Natasha "Tascha" Jaonzäns, Philip "Fiete" Overbeck, Cem Gülec and Vivien "Vivi" Overbeck, Fiete's eight year old sister. After school, the young detectives meet at a high level of a spice warehouse of the company Overbeck & Associates, which belongs to Fiete and Vivi's parents in the first part, but is later given to Fiete and Vivi to look after. Here, in the historic warehouse district, the five friends have their headquarters. With smarts, combined delivery and support of the Internet, they find their cases here. The detectives convict polluters, animal dealers and drug smugglers. They also help each other with personal problems they encounter. Cem has lost his parents in a car accident and sometimes feels sad and lonely. Jana lives with her divorcee mother, a lawyer who is rarely at home. Natasha comes from Latvia. Her parents initially have very strict rules in terms of her education, that make Natasha unhappy. Fiete has problems showing his feelings and hides them behind grumpiness and hostility towards girls, until he falls in love with Natasha. Vivi is suffering from her role of the youngest member of the group. She believes that she must constantly struggle for recognition.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.