A work in constant progress (and occasional regress).
Premiere:
March 7, 1984
# of Seasons: 4
# of Episodes: 27
Finale:
October 23, 1986
Original Title:
Fresh Fields
Genres:
Comedy
Countries:
GB
Fresh Fields is a British situation comedy written by John T. Chapman and produced by Thames Television for ITV between 7 March 1984 and 23 October 1986. A ratings success at the time, the show is well remembered for its opening titles featuring a silhouette of a person in a rocking chair. It stars Julia McKenzie and Anton Rodgers as Hester and William Fields, a devoted middle-class couple with an idyllic suburban lifestyle. William works while Hester keeps home. The crux of the show was that she was always looking to try new hobbies or find ways to improve her life, much of which exasperated her hard-working husband. The family home had a granny flat attached, in which Hester's mother Nancy lived. She was divorced from Hester's father Guy although remarried him as the series progressed. The couple had a daughter called Emma who frequently telephoned but never appeared. Her husband Peter did appear often. They later had a son — the Fields' first grandchild — whom they named Guy, after his great-grandfather. Perhaps, the best remembered supporting character was Sonia Barrett who would frequently pop round to borrow items to replace hers due to breakage, theft or mislaying. Hester was not perturbed by this, as the two were close friends, but it used to irritate William. Sonia had the show's only catchphrase — she would always knock on the back door of the Fields' home and then say It's only Sonia! as she walked in. This would sometimes lead to applause of recognition from the studio audience, a phenomenon more regularly seen within American sitcoms. Sonia's husband John appeared on occasion, as did William's secretary Miss Denham, played by Daphne Oxenford.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.