A work in constant progress (and occasional regress).
Premiere:
January 12, 2025
# of Seasons: 1
# of Episodes: 24
Finale:
March 30, 2025
Original Title:
Aランクパーティを離脱した俺は、元教え子たちと迷宮深部を目指す。
Alternate Titles:
A-Rank Party wo Ridatsu Shita Ore wa, Moto Oshiegotachi to Meikyuu Shinbu wo Mezasu.
ARank Party wo Ridatsu Shita Ore wa Moto Oshiegotachi to Meikyuu Shinbu wo Mezasu
After Leaving the A-Rank Party, I Aim for the Deep Part of the Labyrinth With My Former Students
Aparida
I Left My A-Rank Party
I Left My A-Rank Party to Help My Students Reach the Dungeon Depths
I Left My ARank Party to Help My Former Students Reach the Dungeon Depths
离开 A 级队伍的我,和从前的弟子往迷宫深处迈进
脱离了A级队伍的我,和从前的徒弟们前往迷宫深处。
離開 A 級隊伍的我,和從前的弟子往迷宮深處邁進
Genres:
Action & Adventure | Animation | Sci-Fi & Fantasy
Production Companies:
ADK Marketing Solutions
Bandai Namco Filmworks
Bandai Namco Music Live
Bandai Namco Pictures
Crunchyroll
Kodansha
Nippon Television Network Corporation
Sammy
Countries:
JP
Not every party treats you like a hero—especially when you’re a lowly red mage like Yuke. So, after years of constant ridicule by his A-rank party members, he ditches them. Searching for a new party, he reunites with former students Marina, Silk, and Rain, and joins their group. But on a quest to conquer the world’s greatest dungeon, they become entangled in chaos that threatens the world.
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Art Direction:
Hitomi Yoshida
Character Designer:
Masakazu Yamazaki
Super Zombie
Color Designer:
Akira Nagasaka
Conceptual Design:
Shin Misawa
Director of Photography:
Hiroyuki Chiba
Editor:
Mutsumi Takemiya
Executive Producer:
Hiromitsu Higuchi
Takahiro Sato
Bungo Kondo
Shin Furukawa
Novel:
Kosuke Unagi
Original Music Composer:
Go Sakabe
Original Series Design:
Super Zombie
Producer:
Yoshiyuki Shiotani
Naoko Ito
Naoto Kase
Yoichi Sekine
Publicist:
Toshikazu Sugimoto
Series Composition:
Kazuyuki Fudeyasu
Series Director:
Katsumi Ono
Sound Director:
Shuhei Abe
Theme Song Performance:
Kazuma Kawamura
Yuki Tanaka
VFX Supervisor:
Hiroyuki Chiba
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.