A work in constant progress (and occasional regress).
Premiere:
January 9, 2025
# of Seasons: 1
# of Episodes: 12
Finale:
March 27, 2025
Original Title:
不遇職【鑑定士】が実は最強だった~奈落で鍛えた最強の【神眼】で無双する~
Alternate Titles:
Even Given the Worthless "Appraiser" Class, I'm Actually the Strongest
Fugukan
Fuguushoku "Kanteishi" ga Jitsu wa Saikyou Datta: Naraku de Kitaeta Saikyou no "Shingan" de Musou suru
Fuguushoku [Kanteishi] ga Jitsu wa Saikyou Datta: Naraku de Kitaeta Saikyou no [Shingan] de Musou Suru
Fugūshoku "Kanteishi" ga Jitsu wa Saikyō Datta: Naraku de Kitaeta Saikyō no "Shingan" de Musō Suru
The Unfavorable Job "Appraiser" Is Actually the Strongest
不幸职业【鉴定士】其实是最强的
不幸职业【鉴定士】实则最强
不幸職業【鑑定士】其實是最強的
不遇職【鑑定士】が実は最強だった
Genres:
Action & Adventure | Animation | Drama | Sci-Fi & Fantasy
Production Companies:
BS11
Crunchyroll
EXA INTERNATIONAL
Kodansha
Okuruto Noboru
Sotsu
Tokyo MX
West Japan Marketing Communications
movic
Countries:
JP
In a world where heroes are born, not made, Ein’s god-given gift is the weakest: the power to appraise things. Treated cruelly by his peers, Ein spends his days in self-abasement—until he meets Yuri, the spirit of the World Tree. Yuri and her protector, Ursula, bless Ein with the Spirit Eye, unlocking new strength. As his abilities grow, Ein embarks on a journey to uncover his true purpose.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Character Designer:
Maziro
Co-Producer:
Kohei Miyajima
Novel:
Ibarakino
Yuu Hitaki
Original Music Composer:
Kaori Nakano
Satoshi Hono
Producer:
Yuri Terao
Production Supervisor:
Wani Koguchi
Series Composition:
Touko Machida
Series Director:
Kenta Onishi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.