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The Good Daughter

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# of Seasons: 1

Original Title:
The Good Daughter

Genres:
Drama | Mystery

Production Companies:
Fifth Season
Iron Ocean Films
Made Up Stories

Countries:
US

Overview from TheMovieDB

Sisters Charlotte and Samantha Quinn have spent the last twenty-eight years trying to piece together the lives that were fractured by a single night of violence. When another attack splinters the small town of Pikeville, Charlotte is the first witness on the scene. Now a lawyer like her father, she’s forced to confront her own demons as the case twists through one shocking revelation after another. In the end, both she and Samantha find themselves wondering if the price of being the good daughter was worth it after all.

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Production

Executive Producer:
Michelle Purple
Casey Haver
Bruna Papandrea
Steve Hutensky

Novel:
Karin Slaughter

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.