A work in constant progress (and occasional regress).
Premiere:
March 2, 2024
# of Seasons: 1
# of Episodes: 12
Finale:
May 25, 2024
Original Title:
Kill or Be Killed
Genres:
Crime | Documentary
Production Companies:
Glass Entertainment Group
Countries:
US
"Kill or Be Killed" reveals the stories of those who lost their lives at the hands of someone they knew, who then claimed it was self-defense. In these complex cases, the lines between murder and justifiable homicide are blurred, making them some of the hardest cases to solve. When the killer is the best and sometimes only witness, investigators must scrutinize every other detail. Law enforcement, prosecutors and defense attorneys unravel every detail, from the harrowing stories, forensics, interrogations and witness statements that led up to the gruesome event in order to find answers.
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Art Department Assistant:
Alex Nicoletti
Art Direction:
Beau Kegler
Best Boy Electric:
Ed DiJoseph
Best Boy Grip:
Kevin Goff
Co-Executive Producer:
Brian Keller
Joshua E. Kessler
Colorist:
Björn Bellenbaum
Costume Assistant:
Ashley Rose Kunkel
Costume Designer:
Meghan Cassidy
Executive In Charge Of Production:
David Sadofsky
Bart Makatche
Executive Producer:
Eric Neuhaus
Jon Hirsch
Ken Kohler Jr.
Nancy Glass
Gaffer:
Zach Van Heel
Graphic Designer:
Nick Fulfaro
Tonya Amyrin Rice
Key Grip:
Kevin McGlinchey
Line Producer:
Stephanie Capps
Fred Breeze
Online Editor:
Björn Bellenbaum
Post Production Assistant:
Jordan Hill
Gavin Meyers
Post Production Coordinator:
Sierra Wanamaker
Post Production Supervisor:
Sandra Smith
Production Coordinator:
Kay Vaughn
Maggie Leisch
Production Manager:
Amanda Bowens
Property Master:
Jamie Richard
Special Effects Makeup Artist:
April Chatman-Royce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.