A work in constant progress (and occasional regress).
Premiere:
January 22, 2025
# of Seasons: 1
# of Episodes: 8
Finale:
March 5, 2025
Creators:
Stephen Thompson
Original Title:
Prime Target
Alternate Titles:
Der Zahlen-Detektor
Πρώτος στόχος
יעד ראשוני
Genres:
Crime | Drama
Production Companies:
New Regency Pictures
Scott Free Productions
Countries:
GB
A brilliant math student is on the verge of a major breakthrough when a shadowy enemy tries to stop him. Fighting for answers—and his life—he teams up with a government agent to unravel a high-stakes conspiracy.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Jamie Roden
Art Direction:
Rosalind Grégoire
Polly Stevens
Assistant Music Supervisor:
Adriana Nicholls
Casting Director:
Kate Rhodes James
Costume Design:
Verity Hawkes
Dialogue Editor:
Jamie Roden
Executive In Charge Of Production:
Marjorie Chodorov
Executive Producer:
Brady Hood
Marina Brackenbury
David W. Zucker
Yariv Milchan
Ridley Scott
Michael Schaefer
Ed Rubin
Emma Broughton
Stephen Thompson
Beth Pattinson
Laura Hastings-Smith
Arnon Milchan
Foley Artist:
Barnaby Smyth
Rebecca Glover
Foley Supervisor:
Barnaby Smyth
Hair Designer:
Vickie Lang
Head of Production:
Mark Huffam
Line Producer:
Tina Oswald
Makeup Designer:
Vickie Lang
Music Coordinator:
Lily Leonard
Music Supervisor:
Sarah Bridge
Nick Angel
Orchestrator:
Benjamin Woodgates
Original Music Composer:
Arthur Sharpe
Post Producer:
Clare Maclean
Producer:
Sarah Wheale
Laura Hastings-Smith
Production Design:
Michael Carlin
Sound Effects Editor:
Peter Warnock
Sound Re-Recording Mixer:
Howard Bargroff
Mark Timms
Supervising Art Director:
Caroline Barclay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.