Sexuell verfügbar (2024-2024)

Premiere:
March 16, 2024

# of Seasons: 1

# of Episodes: 5

Finale:
March 17, 2024

Creators:
Caroline Rosales

Original Title:
Sexuell verfügbar

Genres:
Comedy | Drama

Production Companies:
Dor Film
Majestic Filmproduktion
Viafilm

Countries:
DE

Additional information:

The Search Form


Assistant Costume Designer:
Olivia Andrione

Assistant Production Manager:
Catherina Mosig

Best Boy Electric:
André Schmidt

Boom Operator:
Evgeni Schwalba
Marco Krüger

Camera Operator:
Matthias Wallinger

Casting Director:
Hanne Wolharn
Peti Misaila

Colorist:
Cevat Maskar

Commissioning Editor:
Carolin Haasis
Christoph Pellander

Costumer:
Indira Dey
Narod Aghakhanian
Damaris Moos
Christine Astl

Director:
Ulrike Kofler

Director of Photography:
Robert Oberrainer

Editor:
Christoph Loidl

Electrician:
Louis Schmidt

First Assistant Camera:
Arite Szadkowski
Alexander Sachariew
Nelson Smith

First Assistant Director:
Elisabeth Hagemann

Foley Recordist:
Andreas Winkler

Gaffer:
Roman Gutt

Grip:
Fabian Schwuchow
Ole Dietz

Key Grip:
Yves Hoffmann
Alex Zielke

Lighting Technician:
Krzysztof Brzeski

Location Manager:
Rainer Wessels
Christian Slezak

Location Scout:
Tobias Palmer

Makeup Artist:
Friederike Schäfer

Original Music Composer:
Malakoff Kowalski

Production Accountant:
Ina Stahnsdorf-Novotny

Production Coordinator:
Julia Tiziana Dege
Jennifer Six

Production Designer:
Eva-Maria Wendt

Production Driver:
Gregor Badde

Production Manager:
Andreas Schumann

Production Sound Mixer:
Andreas Mücke-Niesytka

Property Master:
Pieter Deuchert

Screenplay:
Caroline Rosales
Timon Karl Kaleyta

Second Assistant Camera:
Julian Felgitsch
Jakob Fahr
Anastasia Nass
Vicky Müller

Set Dresser:
Melanie Peter
George Baur
Michaela Quast

Set Runner:
Moritz Kühn

Special Effects Supervisor:
Bernd Wildau

Standby Property Master:
Anika Reichenbach

Steadicam Operator:
Matthias Wallinger
Fabian Spuck

Still Photographer:
Scarlett Werth

Stunt Coordinator:
Stephan Thiede

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.