A work in constant progress (and occasional regress).
Premiere:
September 8, 2023
# of Seasons: 1
# of Episodes: 4
Finale:
September 8, 2023
Original Title:
All or Nothing: Die Nationalmannschaft in Katar
Alternate Titles:
All Or Nothing: Die Mannschaft
All or Nothing
Genres:
Comedy | Documentary
Production Companies:
Amazon Studios
Stereo Films
UFA DOCUMENTARY
nhb studios
Countries:
DE
The German national football team wants to be the world’s best once again at the World Cup in Qatar. After being eliminated in the preliminary round of the 2018 World Cup and in the last 16 at the 2021 European Championship, the former world champions want another title. But again their journey ends in the preliminary round. Exclusive behind-the-scenes insights show their dramatic failure.
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Camera Operator:
Markus Biess
Lorenz Weissfuss
Till Fischer
William Hadley
Sebastian Wehkamp
Co-Executive Producer:
Hannes Heidenreich
Creative Producer:
Matthias Bittner
Director:
Christian Twente
Director of Photography:
Martin Christ
Editor:
Gerwin Lucas
Executive Producer:
Marc Lepetit
Sebastian Werninger
Michael Vitzthum
First Assistant Director:
Philipp Schelb
Lead Editor:
Christoph Hutterer
Line Producer:
Sven Heiligenstein
Gerhard Schneider
Music Supervisor:
Uli Kleppi
Anja Figiel-Borowiak
Original Music Composer:
Midori Hirano
Post Production Coordinator:
Dean-Martin Niemöller
Post Production Supervisor:
Tim Greven
Producer:
Christian Gampe
Moritz Düsterberg
Julian Kasmierz
Production Manager:
Jens Geibel
Sound Mixer:
Anton Schlichter
Cornelius Eiler
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.