A work in constant progress (and occasional regress).
Premiere:
April 2, 2000
# of Seasons: 1
# of Episodes: 4
Finale:
April 23, 2000
Original Title:
Seeing Salvation
Genres:
Documentary
Production Companies:
BBC
Countries:
GB
Christianity has produced some of the greatest works of art of all time, in which believers and non-believers alike can explore the great themes of life and death. It is the language in which Leonardo and Michelangelo, Dali and Rembrandt speak to us all about love and suffering, loss and hope. To mark the year 2000, these four programmes, written and presented by Neil MacGregor, Director of the National Gallery, London, consider how artists over two millennia have tackled the extraordinarily difficult task of representing Christ. Without contemporary accounts of Jesus' appearance, artists through the ages have been free to create many images of him - images that sometimes reflect the spiritual world of the artist and other times the desires of the patron or the needs of the spectator. Seeing Salvation is a four part series surveying the historical representations of Jesus Christ in Western European art and sculpture over the centuries since Roman Times.
Director:
Tim Robinson
Director of Photography:
John Goodyer
Editor:
Jamie Boulton
Executive Producer:
Keith Alexander
Producer:
Patricia Wheatley
Sound Recordist:
Anthony Wornum
Writer:
Neil MacGregor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.