Polowanie na ćmy (2023-2023)

Premiere:
March 19, 2023

# of Seasons: 1

# of Episodes: 7

Finale:
April 30, 2023

Original Title:
Polowanie na ćmy

Genres:
Drama

Production Companies:
Dreamsound
Telewizja Polska

Countries:
PL

Additional information:

The Search Form


Acting Double:
Grzegorz Reda
Joanna Czerniak
Michał Burdan
Aleksandra Jachymek

Administration:
Gabriela Ciechanowiecka

Assistant Costume Designer:
Krzysztof Giziński
Aleksandra Tyszkowska
Sabina Kozłowska
Witold Grabarczyk
Olga Przylipiak
Zuzanna Tokarska
Martyna Cierpisz

Assistant Director:
Klaudia Bielecka
Barbara Bladowska
Jakub Gryżewski

Assistant Editor:
Robert Kozłowski

Assistant Production Manager:
Filip Miękus

Assistant Set Designer:
Łukasz Misztal

Camera Operator:
Ksawery Zylber
Kacper Zieliński
Przemysław Niczyporuk

Casting:
Marta Kownacka

Catering:
Marta Zieja
Marzena Derkowska
Piotr Koszniec
Dariusz Harasim

Compositing Artist:
Wojciech Świątkiewicz
Jakub Petruk
Piotr Dismas Zdanowicz
Daniel Niszczota
Vlad Peralyhin
Tomasz Tejchman
Roman Pron
Janusz Budzyn
Jan Białek

Costume Design:
Wanda Kowalska
Paweł Grabarczyk

Data Management Technician:
Krzysztof Golon

Dialogue Editor:
Dawid Konecki
Aleksandra Dzioba
Ewa Mazurkiewicz
Adam Szlenda

Digital Intermediate:
Ireneusz Dąbrowski
Jakub Sokołowski

Director:
Michał Rogalski

Director of Photography:
Maciej Lisiecki

Editor:
Marcin Kot Bastkowski

Executive Producer:
Małgorzata Fogel-Gabryś

Foley Editor:
Kamil Kwiatkowski

Health and Safety:
Wojciech Konkol

Interior Designer:
Hanna Wójcikowska-Szymczak
Beata Karaś

Key Grip:
Paweł Dylik

Line Producer:
Magdalena Badura

Makeup & Hair Assistant:
Monika Stradomska

Makeup Department Head:
Alina Janerka
Karolina Kordas

Master Lighting Artist:
Paweł Rosłon

Matte Painter:
Roman Pron
Janusz Budzyn
Wojciech Świątkiewicz
Piotr Dismas Zdanowicz
Tomasz Tejchman
Jan Białek
Vlad Peralyhin
Jakub Petruk
Daniel Niszczota

Music Consultant:
Anna Malarowska
Monika Graf

Music Producer:
Łukasz Pieprzyk

Musician:
Łukasz Pieprzyk

Novel:
Wacław Holewiński

Orchestrator:
Łukasz Pieprzyk

Original Music Composer:
Łukasz Pieprzyk

Post Production Coordinator:
Monika Lang

Producer:
Krystyna Świeca
Michał Kwieciński

Production Coordinator:
Katarzyna Jurek

Production Manager:
Magdalena Badura
Nina Szlęzak

Props:
Grzegorz Rzepecki
Krzysztof Trzaskoma
Jaroslaw Niebrzydowski

Pyrotechnician:
Krzysztof Buczek
Arkadiusz Rośczak
Bartosz Rośczak

Script:
Dominik Fraj

Second Unit Director:
Marcin Starzecki

Set Designer:
Joanna Macha

Sound:
Sebastian Kordasz
Wojciech Mielimąka

Sound Director:
Wojciech Mielimąka

Sound Effects Editor:
Dawid Konecki

Special Effects:
Bartosz Rośczak

Steadicam Operator:
Jacek Drofiak
Marcin Guzak

Still Photographer:
Aleksandra Grochowska

Stunt Coordinator:
Jarosław Golec
Maciej A. Maciejewski
Kamil Pardo

Stunts:
Dominik Dąbrowski
Artur Grabowiec
Michał Wolski
Joanna Czerniak
Łukasz Czubak
Jarosław Stachera
Angelika Nienałtowska
Maria Szczepankiewicz
Maciej Romanowski
Justyna Mateuszczyk
Klaudyna Soczewka
Kamil Cisowski
Joanna Różańska
Filip Bucki
Kamil Pardo
Jakub Dąbrowski
Łukasz Karkosa
Kamil Kubaczyński
Bartosz Wereszyński
Magdalena Majtyka
Bartłomiej Milczarek
Konrad Ostrowski
Piotr Wojtkowski
Łukasz Polkowski
Michał Burdan
Sylwester Zawadzki
Kamil Borowy
Tomasz Drężek
Monika Drężek
Cezary Pardo
Katarzyna Młynarczyk
Andrzej Ciesielski
Jerzy Filipiak
Rafał Mitura
Łukasz Nienałtowski
Paweł Jusiński
Kinga Szwedo
Michał Bancarzewski
Adam Bujnik
Tomasz Fijołek
Mateusz Żywiec
Mateusz Szafrański
Andrzej Borowy
Rafał Grala
Arkadiusz Kulesza
Erwin Rybaczuk
Aleksandra Jachymek
Jarosław Golec
Michał Pluskota
Dominik Kulesza
Tomasz Mierzejewski
Mateusz Nienałtowski
Andrzej Wiśniewski
Kajetan Miros
Wojciech Żerański
Piotr Popko
Paweł Staszewski
Michał Michalski
Zbigniew Gorzęba
Małgorzata Fijałkowska
Damian Majewski
Grzegorz Reda

Supervising Producer:
Joanna Sieczka

Translator:
Zofia Zieba
Monika Polit
Polina Yustova

VFX Supervisor:
Marcin Drabiński

Writer:
Katarzyna Tybinka
Anna Gabryś

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.