Het gouden uur (2022-2025)

Premiere:
October 23, 2022

# of Seasons: 2

# of Episodes: 12

Finale:
September 18, 2025

Creators:
Simon de Waal

Original Title:
Het gouden uur

Alternate Titles:
Die goldene Stunde

Genres:
Crime | Drama

Production Companies:
Avrotros
Banijay Belgium
NL Film en TV

Countries:
NL

Additional information:

The Search Form


ADR Editor:
Burak Öztaș

ADR Recordist:
Stefan Meutstege
Boris Seinen

Art Direction:
Tina Merica

Assistant Director:
Amy Janna

Casting:
Eva van Kleef
Ilse de Weerd
Job Castelijn

Co-Producer:
Ellen Dorrestein
Xavier Rombaut
Siniša Juričić
Katja Harterink

Colorist:
Erik Demeris

Compositor:
Frank Taris
Roel Meijering

Continuity:
Noa Kosanovic

Costume Design:
Fieke Nicolaï

Creative Producer:
Oscar van Woensel
Paula van der Oest
Bobby Boermans

Dialogue Editor:
Burak Öztaș

Director of Photography:
Max Maloney
Dirk-Jan Kerkkamp

Editor:
Jasper Quispel

Executive Producer:
Tom Sebus
Mariëtte Plasmans

First Assistant Director:
Evert van Setten

Foley Artist:
Daimo da Costa

Foley Editor:
Sanne Breij

Foley Mixer:
Andrea de Jonge

Head of Production:
Wynand Chocolaad
Dennis Kleyn

Line Producer:
Eveline Kortenaar

Makeup Supervisor:
Bianca van der Steen

Music Supervisor:
Michaël Sauvage

Post Production Coordinator:
Svasti Sewnath

Post Production Supervisor:
Rosanne Fontaine

Producer:
Lize Lefaible
Dennis Cornelisse

Producer's Assistant:
Lara Reinink

Production Coordinator:
Isabel Ortega Jaen

Production Designer:
Geert Paredis

Production Manager:
Florence van Venetiën

Production Sound Mixer:
Jasnai Jansen

Property Master:
Tina Merica

Script Editor:
Emma-Rose Thompson

Sound Re-Recording Mixer:
Erik Griekspoor
Jaap Jellema

Stunt Coordinator:
Nicolas de Pruyssenaere

Stunts:
Paul Koops van 't Jagt
Marco Maas

Supervising Sound Editor:
Wart Wamsteker
Casper Molin

Third Assistant Director:
Vladimir Gojkovic

Visual Effects Supervisor:
Koen de Mol

About the Movie Section

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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