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Barzakh (2024-2024)

Premiere:
July 19, 2024

# of Seasons: 1

# of Episodes: 6

Finale:
August 6, 2024

Creators:
Asim Abbasi

Original Title:
برزخ

Genres:
Drama | Mystery | Sci-Fi & Fantasy

Production Companies:
Zindagi

Countries:
IN | PK

Overview from TheMovieDB

A reclusive 76-year-old, who runs a resort in a remote valley, invites his estranged children and grandchildren over to celebrate his life’s grand finale – a wedding with the ghost of his first true love.

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Additional information:

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Video

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Trailer

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Performers

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Production

ADR Recording Engineer:
Amanat Ali
Zeeshan Tariq
Shane E. Kerr

Art Direction:
Saqib Hayat

Assistant Art Director:
Hina Aijaz
Walid Fahmeed

Assistant Foley Artist:
Sidharthan Aramban
S. Karthik

Assistant Sound Designer:
Umer Shaqfat

Associate Producer:
Zarmeen Ali
Henrik Bach Christensen
Geoffrey Hancock
Nabeel Jafri

CG Supervisor:
Himanshu Khurana

Casting:
Saiban Khaliq

Colorist:
Jason R. Moffat

Compositing Artist:
Nitesh Prabhakar Gawali

Continuity:
Yasser Vayani

Creative Consultant:
Nadeem Alkarimi

Dialect Coach:
Baraka Naveed Khan

Dialogue Editor:
Anser Soomro

Digital Imaging Technician:
Ali Sher

Director:
Asim Abbasi

Director of Photography:
Mo Azmi

Editor:
Asim Abbasi
Kamran Shehzada

Electrician:
Muhammad Shahid

Executive Producer:
Sarita Ambapardiwala

First Assistant Camera:
Kamran Rabbani

First Assistant Director:
Zoobia Anwar

Focus Puller:
Kamran Rabbani

Foley Artist:
Shanmugam Mani

Foley Editor:
Athul Vijayan

Foley Recordist:
Suraj Bardia
Balasubramaniam Bala Kumar

Foley Supervisor:
Suraj Bardia

Gaffer:
Nadeem Multani

Hairstylist:
Rashid Misah

Head Carpenter:
Aziz Ur Rehman

Line Producer:
Mateen Butt
Shahid Karim
Qambar Ali
Sakshi Sunil Pagare
Sakshi Sunil Pagare

Location Scout:
Nadeem Alkarimi
Rahmatulla Baig
Afaq Baig

Makeup & Hair:
Horaib Gill
Nanson Gill

Makeup Artist:
Adnan Ansari

Original Music Composer:
Sarmad Ghafoor

Painter:
Hazique Zaheer

Post Producer:
Qais Qureshi

Post Production Supervisor:
Zoobia Anwar

Producer:
Hassan Waqas Rana
Shailja Kejriwal

Production Assistant:
Barkat Ali
Ejaz Ali
Muhammad Ali
Alhan Karim
Zakir Hussain
Azam Gill
Noor Ali
Rahmat Karim
Shakeel Ahmed

Production Design:
Aarij Hashimi

Production Intern:
Sakina Pishori
Arif Majeed Akbar

Property Buyer:
Ayaan Badar

Script Consultant:
Kate O'Hara
Muhammad Usman Ansari

Script Supervisor:
Zoobia Anwar

Second Assistant Art Director:
Owais Arshad

Second Assistant Camera:
Muhammad Atif

Second Assistant Director:
Ariaana Khan

Second Unit Director:
Zoobia Anwar

Second Unit Director of Photography:
Shahzaib Ali

Set Designer:
Saqib Hayat

Sets & Props Artist:
Zain Ali
Usman Khan
Ahsan Khan
Shahzaib Khan

Sound Designer:
Aravind Vijayakumar

Sound Effects:
Aravind Vijayakumar

Sound Re-Recording Mixer:
Rhitwik Raj Pathak

Sound Recordist:
Anser Soomro

Special Effects Makeup Artist:
Muhammad Ali

Storyboard Artist:
Danial Ahmed

Supervising Sound Editor:
Aravind Vijayakumar

Technical Supervisor:
Pragati Singh

Third Assistant Director:
Hussain Mohsin

Title Designer:
Huba Akhlaq

Transportation Captain:
Moosa Karim

Unit Production Manager:
Shahid Karim
Ali Salman

VFX Supervisor:
Prasad Sambhaji Deshmukh

Visual Effects Producer:
Shah Alam Shaikh

Wardrobe Assistant:
Jibrael Hassan
Mehtaab Ameem
S. M. Amar Iqbal
Rida Jasani

Wardrobe Designer:
Shanum Sohail

Wardrobe Supervisor:
Zainab Masood

Writer:
Asim Abbasi

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.