A work in constant progress (and occasional regress).
Premiere:
October 26, 2021
# of Seasons: 1
# of Episodes: 2
Finale:
October 26, 2021
Original Title:
Das Weiße Haus am Rhein
Genres:
Drama
Production Companies:
Pandastorm Pictures
Zeitsprung Pictures
Countries:
DE
In 1918, at the end of World War I, young Emil Dreesen returns from the battlefield with the intention of taking over the family business, an elegant hotel on the banks of the Rhine.
Administration:
Małgorzata Witkowska
Assistant Costume Designer:
Mariola Stojanowska
Dorota Ziółkowska
Małgorzata Chruściel
Maria Polaczek
Mateusz Chojnowski
Piotr Owczarek
Assistant Director:
Weronika Rodowicz
Assistant Makeup Artist:
Dorota Seweryńska
Ewa Wiączek
Iwona Trzyna
Janina Niewiadomska
Assistant Production Design:
Agnieszka Lepka
Assistant Production Manager:
Gabriela Piskor
Zuzanna Szygenda
Best Boy Lighting Technician:
Maksymilian Pawlikowski
Camera Operator:
Andrzej Glacel
Karol Lindholm
Costume Design:
Michaela Horesji
Data Management Technician:
Grzegorz Pawłowski
Paweł Chrabąszcz
Michał Aleksander Parafiniuk
Director of Photography:
Felix Cramer
Editor:
Simone Klier
Grip:
Michał Kucharzewski
Mateusz Paweł Sroka
Interior Designer:
Inga Palacz
Line Producer:
Krzysztof Solek
Alexander Wojtanowski
Makeup Department Head:
Tomasz Matraszek
Izabela Woldańska
Marcin Rodak
Original Music Composer:
Michael Klaukien
Producer:
Michael Souvignier
Till Derenbach
Production Coordinator:
Robert Seroczyński
Production Design:
Pierre Pfundt
Production Manager:
Peter Faber
Bartłomiej Gliński
Props:
Andrzej Kowalewski
Pyrotechnician:
Bartłomiej Stępniak
Special Effects Coordinator:
Piotr Krzyczmonik
Still Photographer:
Krzysztof Wiktor
Aleksandra Grochowska
Dariusz Minkiewicz
Stunts:
Paweł Semba
Mateusz Wiernicki
Tailor:
Urszula Nowicka
Bożena Zaremba
Ewa Mądry-Flis
Video Assist Operator:
Karol Lindholm
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.