A work in constant progress (and occasional regress).
Premiere:
November 4, 1987
# of Seasons: 1
# of Episodes: 2
Finale:
November 5, 1987
Original Title:
Nancy Wake
Alternate Titles:
True Colors
Genres:
Drama | War & Politics
Production Companies:
Simpson Le Mesurier Films
Countries:
US
Nancy Wake tells the true story of Australia's greatest war heroine - the woman the Gestapo dubbed the 'White Mouse'. This miniseries event begins in 1939 when Nancy meets Henri Fiocca, while she is working on assignment as a journalist in Marseilles. With Europe on the brink of war, they fall desperately in love and are married as Hitler begins his relentless march oh Holland and Belgium.
Armorer:
Brian Holmes
Art Direction:
Bernadette Wynack
Assistant Editor:
Michael Gilders
Associate Producer:
Margot McDonald
Roger Simpson
Author:
Russell Braddon
Casting:
Liz Mullinar
Construction Manager:
Bob Hern
Costume Design:
Jane Hyland
Dialogue Editor:
Edward McQueen-Mason
Director:
Pino Amenta
Director of Photography:
David Connell
Editor:
Philip Reid
Executive Producer:
Alan Bateman
John Sturzaker
Hairstylist:
Rochelle Ford
Location Manager:
Murray Boyd
Makeup Artist:
Amanda Rowbottom
Original Music Composer:
Greg Sneddon
Producer:
Roger Le Mesurier
Production Coordinator:
Leonie Jansen
Production Design:
Otello Stolfo
Script Editor:
Barbara Bishop
Sound Editor:
Ross A. Porter
Sound Mixer:
Julian Ellingworth
Sound Recordist:
Andrew Ramage
Story Editor:
Barbara Bishop
Stunt Coordinator:
Bill Stacey
Title Designer:
Ned Culic
Unit Manager:
John Suhr
Wardrobe Supervisor:
Margot Lindsay
Writer:
Roger Simpson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.