The Lucy–Desi Comedy Hour (1957-1960)

Premiere:
November 6, 1957

# of Seasons: 3

# of Episodes: 13

Finale:
April 1, 1960

Creators:
Bob Carroll Jr.
Madelyn Pugh
Jess Oppenheimer

Original Title:
The Lucy–Desi Comedy Hour

Alternate Titles:
The Lucille Ball-Desi Arnaz Show
Шоу Люсиль Болл-Дези Арназ

Genres:
Comedy

Production Companies:
Desilu Productions

Countries:
US

The Lucy–Desi Comedy Hour is a collection of thirteen one-hour specials airing occasionally from 1957 to 1960, and originally served as part of Westinghouse Desilu Playhouse. Its original network title was The Ford Lucille Ball-Desi Arnaz Show for the first season, and The Westinghouse Desilu Playhouse Presents The Lucille Ball-Desi Arnaz Show for the following seasons. It was the successor to the classic comedy, I Love Lucy, and featured the same major cast members. The production schedule avoided the grind of a regular weekly series. Desilu produced the show, which was mostly filmed at their Los Angeles studios with occasional on-location shoots at Lake Arrowhead, Las Vegas and Sun Valley, Idaho. CBS reran the show under the "Lucy-Desi" title during the summers of 1962-1967, after which it went into syndication.

Additional information:

The Search Form


Art Direction:
Ralph Berger

Casting:
Kerwin Coughlin

Conductor:
Wilbur Hatch

Director of Photography:
Sidney Hickox

Executive Producer:
Desi Arnaz

Hairstylist:
Irma Kusely

Makeup Artist:
Hal King

Music Editor:
E.C. Norton

Original Music Composer:
Wilbur Hatch

Producer:
Bert Granet

Production Manager:
James Paisley

Production Supervisor:
W. Argyle Nelson

Property Master:
Charles West

Script Consultant:
Bob Carroll Jr.
Madelyn Pugh

Sound Editor:
Jerry Rosenthal

Sound Recordist:
Cam McCulloch

Wardrobe Designer:
Edward Stevenson

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.