A work in constant progress (and occasional regress).
Premiere:
November 6, 1957
# of Seasons: 3
# of Episodes: 13
Finale:
April 1, 1960
Creators:
Bob Carroll Jr.
Madelyn Pugh
Jess Oppenheimer
Original Title:
The Lucy–Desi Comedy Hour
Alternate Titles:
The Lucille Ball-Desi Arnaz Show
Шоу Люсиль Болл-Дези Арназ
Genres:
Comedy
Production Companies:
Desilu Productions
Countries:
US
The Lucy–Desi Comedy Hour is a collection of thirteen one-hour specials airing occasionally from 1957 to 1960, and originally served as part of Westinghouse Desilu Playhouse. Its original network title was The Ford Lucille Ball-Desi Arnaz Show for the first season, and The Westinghouse Desilu Playhouse Presents The Lucille Ball-Desi Arnaz Show for the following seasons. It was the successor to the classic comedy, I Love Lucy, and featured the same major cast members. The production schedule avoided the grind of a regular weekly series. Desilu produced the show, which was mostly filmed at their Los Angeles studios with occasional on-location shoots at Lake Arrowhead, Las Vegas and Sun Valley, Idaho. CBS reran the show under the "Lucy-Desi" title during the summers of 1962-1967, after which it went into syndication.
Art Direction:
Ralph Berger
Casting:
Kerwin Coughlin
Conductor:
Wilbur Hatch
Director of Photography:
Sidney Hickox
Executive Producer:
Desi Arnaz
Hairstylist:
Irma Kusely
Makeup Artist:
Hal King
Music Editor:
E.C. Norton
Original Music Composer:
Wilbur Hatch
Producer:
Bert Granet
Production Manager:
James Paisley
Production Supervisor:
W. Argyle Nelson
Property Master:
Charles West
Script Consultant:
Bob Carroll Jr.
Madelyn Pugh
Sound Editor:
Jerry Rosenthal
Sound Recordist:
Cam McCulloch
Wardrobe Designer:
Edward Stevenson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.