A work in constant progress (and occasional regress).
Premiere:
January 8, 2023
# of Seasons: 1
# of Episodes: 12
Finale:
March 26, 2023
Original Title:
便利屋斎藤さん、異世界に行く
Alternate Titles:
Anh Thợ Saitou Đa Năng Ở Dị Giới
Benriya Saitou-san, Isekai ni Iku
Benriya Saitō-san, Isekai ni Iku
Handyman Saitō in Another World
万事屋斋藤、到异世界
万事屋斋藤到异世界
万事屋斋藤,到异世界
斋藤先生无所不能
Genres:
Animation | Comedy | Sci-Fi & Fantasy
Production Companies:
C2C
Countries:
JP
Handyman Saito has never been anyone special. All his life, he’s had average grades, ordinary athletic skill, a commonplace job… But his unremarkable path takes a turn when he wakes up in another world. Here, warriors, wizards, and elves accompany him on quests delving deep into dungeons, and Saito realizes for the first time what it’s like to be needed. After all, who other than the handyman could be trusted to open locked treasure chests or repair his allies’ equipment? Beginning with a simple “thank you,” this is the story of an ordinary person’s fulfilling life.
Action Director:
Shinichi Wada
Art Designer:
Chikako Shibata
Art Direction:
Asuka Kashimura
Assistant Art Director:
Moe Kumamoto
Assistant Director of Photography:
Koki Fujiwara
Character Designer:
Yoko Tanabe
Color Designer:
Masato Takagi
Creature Design:
Yoshihiro Nagamori
Director of Photography:
Noriyuki Murakami
Editor:
Keisuke Yanagi
Opening/Ending Animation:
Weng Ching-hsiang
Original Music Composer:
Tomotaka Osumi
Production Supervisor:
Ryousuke Yamada
Prop Designer:
Koji Nagatomi
Series Composition:
Kenta Ihara
Series Director:
Toshiyuki Kubooka
Sound Director:
Yuichi Imaizumi
Sound Effects:
Yasumasa Koyama
Michiyo Saito
Sound Mixer:
Yoshio Obara
Special Effects:
Jun Kubota
Yoshitaka Murakami
Yang Yi
Story Supervisor:
Syouji Masuda
Supervising Animation Director:
Yoko Tanabe
Yasuyuki Noda
Supervising Art Director:
Masaru Sato
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.