A work in constant progress (and occasional regress).
Premiere:
January 7, 2023
# of Seasons: 1
# of Episodes: 12
Finale:
March 25, 2023
Original Title:
ツンデレ悪役令嬢リーゼロッテと実況の遠藤くんと解説の小林さん
Alternate Titles:
Tsundere Akuyaku Reijou Lieselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san
Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endou-kun to Kaisetsu no Kobayashi-san
Tsundere Akuyaku Reijō Lieselotte to Jikkyō no Endō-kun to Kaisetsu no Kobayashi-san
Tsunlise
Tsunlise-pr
傲娇反派千金莉洁洛特与实况主远藤同学及解说员小林同学
傲娇恶役大小姐莉泽洛特与实况转播远藤君和解说员小林
傲嬌反派千金莉潔洛特與實況主遠藤同學及解說員小林同學
反派大小姐莉泽洛特与实况解说
Genres:
Animation | Comedy | Sci-Fi & Fantasy
Production Companies:
Bit grooove promotion
FuRyu
KADOKAWA
MBS
NetEase Games
Nichion
PIA Corporation
Tezuka Productions
movic
Countries:
JP
Endo and Kobayashi love to bicker about their latest video game fixation. They think they're simply providing color commentary, but one of the game's characters, Siegwald, can hear them talking about his fiancée, the villainess Lieselotte!
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Kazuhiro Arai
Shunsuke Sakai
Character Designer:
Miyuki Katayama
Color Designer:
Megumi Arai
Director of Photography:
Makoto Takakura
Editor:
Yukie Oikawa
Music Producer:
Daisuke Mizuta
Novel:
Suzu Enoshima
Original Music Composer:
Tatsuhiko Saiki
Natsumi Tabuchi
Kanade Sakuma
Junko Nakajima
Sayaka Aoki
Producer:
Hiroyuki Aoi
Airi Sawada
Cao Cong
Yuki Kodaka
Ryohei Yamashita
Yoshinori Hasegawa
Sumio Udagawa
Norio Fukui
Prop Designer:
Naohiro Washio
Series Composition:
Tomoko Konparu
Series Director:
Fumihiro Yoshimura
Sound Director:
Toshiki Kameyama
Sound Effects:
Toshiya Wada
Special Effects:
Ryohei Matsuda
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.