A work in constant progress (and occasional regress).
Premiere:
March 9, 2010
# of Seasons: 1
# of Episodes: 4
Finale:
March 9, 2010
Creators:
Charles-Antoine de Rouvre
Jérôme Scemla
Anne-France Sion
Original Title:
Bienvenue dans le nanomonde
Genres:
Documentary
Production Companies:
La Compagnie des Taxis-Brousse
Countries:
FR
Like GMOs before it, nanotechnology is irrevocably changing our world. What are the benefits of nanotech, and what are the risks? How might nanotech be used—or misused? Can the interests of science, business, and government strike a balance between the desire to act responsibly and deference to market and political pressures? These are some of the urgent questions explored in this timely four-part series.
Animation:
Bart Bossaert
Bruno Hanssens
Tom Neuttiens
Wannes Aelvoet
Jeremie Louvaert
Assistant Editor:
Benoite Dorlacq
Casting:
Lisa Fachau
Color Grading:
Thierry Leray
Pascal Faivre Chalon
Paul-Henry Rouget
Compositing Artist:
Gerrit Bekers
Jeremie Louvaert
Director:
Charles-Antoine de Rouvre
Jérôme Scemla
Director of Photography:
Remy Revellin
Christophe Lemire
Boris Carrete
Jérôme Scemla
Documentation & Support:
Valérie Combard
Valérie Frêne
Xavier Brillat
Editor:
Delphine Dufriche
Grip:
Yohann Troubat
Grégory Daubas
Location Manager:
Laurent Aït Benalla
Wai Yim Wong Charmes
Aya Asakura
Yoko Ishitani
Florence Roudaut
Lucas Deloffre
Lyn Markey
Veronique Gara
Makeup Artist:
Stephanie Fiorile
Music Score Producer:
Joseph Guigui
David Dahan
Post-Production Manager:
Noël Morrow
Séverine Cappa
Producer:
Laurent Mini
Karim Samaï
Production Manager:
Bénédicte Richard
Researcher:
Laurence Pivot
Benjamin Turquet
Sound:
Vincent Magnier
Odile Darmostoupe
Sound Editor:
Claire Jouan
Trainee Production Coordinator:
Chantal Ruffin
Souade Samaï
Translator:
Fraser Macnaught
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.