A work in constant progress (and occasional regress).
Premiere:
September 3, 2018
# of Seasons: 1
# of Episodes: 20
Finale:
September 28, 2018
Original Title:
229明天见
Alternate Titles:
2月29日•明天见
Genres:
Family | Mystery
Production Companies:
MediaCorp
Countries:
SG
On the 29th of February, Ye Zheng Fang (Thomas Ong) had a quarrel with his wife Shu Jun (Chuan-Chen Yeh), she died of a heart attack later in the evening. Their son, Zhi Xin (Aloysius Pang), blamed him for her death. Their daughter, Zhi Hui (Somaline Ang), fell into a coma on the same day after a traffic accident. A torn and battered Zheng Feng slipped into a defeated slumber, but a sharp crash jerked him awake, and he found himself repeating the day of 29th February - Unable to explain his situation, he tries to save his wife and daughter but to no avail as the day repeats itself. Soon, each member of the family gets trapped with him, repeating the same day over and over again. They start to enjoy the days without tomorrow, but soon realised that life is meaningless without progress. While everyone hopes for a better tomorrow, what will you do when tomorrow never ends?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.