A work in constant progress (and occasional regress).
Alias:
Aleksandr Ivanovitch Medvedkin
Alexandre Ivanovitch Medvedkine
Александр Медведкин
Birthplace:
Penza, Russian Empire [now Russia]
Born:
March 8, 1900
Died:
February 19, 1989
Aleksandr Ivanovich Medvedkin was a Soviet Russian film director, best known for his 1935 film Happiness. His life and art are the subject of Chris Marker's documentary films, The Train Rolls On (1971) and The Last Bolshevik (1992). He travelled around Russia in his Kinopoezd, a film-train, in which he carried film equipment and shot movies in Kolkhozy, which he would then screen there.
Director:
1929 Watch Your Health
1930 Stop Thief!
1932 Kinopoezd - Cinetrain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Happiness
1936 The Miracle Worker
1938 The New Moscow
1939 Blossoming Youth
1941 We Await Your Victorious Return
1946 Liberated Earth
1954 First Spring
1956 An Unquiet Spring
1962 Law of Baseness
1969 The Letter to a Chinese Friend
1971 Night over China
1976 Caution! Maoism!
1977 Beijing - Anxiety of Mankind
1979 Madness. Reflections on the Cost of Murder
1984 Anxiety. Thoughts of an Old Man
Producer:
1929 Watch Your Health
1930 Stop Thief!
1932 Conveyor
1932 Gazeta #4
1932 How's Life, Comrade Miner?
1932 Kinopoezd - Cinetrain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Happiness
1936 The Miracle Worker
1938 The New Moscow
1939 Blossoming Youth
1941 We Await Your Victorious Return
1946 Liberated Earth
1954 First Spring
1956 An Unquiet Spring
1962 Law of Baseness
1969 The Letter to a Chinese Friend
1971 Night over China
1976 Caution! Maoism!
1977 Beijing - Anxiety of Mankind
1979 Madness. Reflections on the Cost of Murder
1984 Anxiety. Thoughts of an Old Man
Screenplay:
1929 Watch Your Health
1930 Stop Thief!
1932 Conveyor
1932 Gazeta #4
1932 How's Life, Comrade Miner?
1932 Kinopoezd - Cinetrain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Happiness
1936 The Miracle Worker
1938 The New Moscow
1939 Blossoming Youth
1941 We Await Your Victorious Return
1946 Liberated Earth
1949 Ambulance
1954 First Spring
1956 An Unquiet Spring
1962 Law of Baseness
1969 The Letter to a Chinese Friend
1971 Night over China
1976 Caution! Maoism!
1977 Beijing - Anxiety of Mankind
1979 Madness. Reflections on the Cost of Murder
1984 Anxiety. Thoughts of an Old Man
Writer:
1929 Watch Your Health
1930 Stop Thief!
1932 Conveyor
1932 Gazeta #4
1932 How's Life, Comrade Miner?
1932 Kinopoezd - Cinetrain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Happiness
1936 The Miracle Worker
1938 The New Moscow
1939 Blossoming Youth
1941 We Await Your Victorious Return
1946 Liberated Earth
1949 Ambulance
1954 First Spring
1956 An Unquiet Spring
1962 Law of Baseness
1969 The Letter to a Chinese Friend
1971 Night over China
1976 Caution! Maoism!
1977 Beijing - Anxiety of Mankind
1979 Madness. Reflections on the Cost of Murder
1984 Anxiety. Thoughts of an Old Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.