A work in constant progress (and occasional regress).
Martin Arnold (born 1959 in Vienna, Austria) is an experimental filmmaker known for his obsessive reworkings of found footage. He is also a founding member of the Austrian film distributor Sixpack Film. Arnold studied psychology and art history at the University of Vienna. He has taught filmmaking at the University of Wisconsin–Milwaukee, the San Francisco Art Institute, the Academy of Fine Arts in Frankfurt, the Kansas City Art Institute, Bard College, and at SUNY Binghamton. His films are distributed by Canyon Cinema in the United States and by Sixpack Film in Austria. Source Wiki
Director:
1989 Pièce touchée
1993 Jesus Walking on Screen
1993 Kunstraum Remise
1993 Passage à l'Acte
1996 Don't - Der Österreichfilm
1997 Psycho/Viennale Spot
1998 Alone. Life Wastes Andy Hardy
2002 Deanimated: The Invisible Ghost
2002 Jeanne Marie Renée
2010 Shadow Cuts
2010 Soft Palate
2011 Haunted House
2011 Self Control
2012 20 Little Films
2013 Charon
2013 Hydra
2013 Nix
2013 Tooth Eruption
2014 Whistle Stop
2015 Black Holes
2016 Elsewhere
2017 Full Rehearsal
2020 Background Check
2020 In Tinseltown
2024 Blackout
Writer:
1989 Pièce touchée
1993 Jesus Walking on Screen
1993 Kunstraum Remise
1993 Passage à l'Acte
1996 Don't - Der Österreichfilm
1997 Psycho/Viennale Spot
1998 Alone. Life Wastes Andy Hardy
2002 Deanimated: The Invisible Ghost
2002 Jeanne Marie Renée
2010 Shadow Cuts
2010 Soft Palate
2011 Haunted House
2011 Self Control
2012 20 Little Films
2013 Charon
2013 Hydra
2013 Nix
2013 Tooth Eruption
2014 Whistle Stop
2015 Black Holes
2016 Elsewhere
2017 Full Rehearsal
2020 Background Check
2020 In Tinseltown
2024 Blackout
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.