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Kim Waltrip

Biography from TheMovieDB

Kim Waltrip is a Producer and Director. Her projects include the revolutionary trio of films "The Disappearance of Eleanor Rigby" Him, Her and Them, starring Jessica Chastain, James McAvoy, Viola Davis and William Hurt. The films "Him" and "Her" Premiered at the Toronto Film Festival and "Them" was in competition in the Un Certain Regard category at the 2014 Cannes Film Festival. Other projects include, "Hit & Run" starring Dax Shepard, Kristen Bell and Bradley Cooper, "Back in the Day" starring Michael Rosenbaum, Morena Baccarin, Harland Williams and Nick Swardson. Her newest film, "Walk to Vegas" based on the true story about Hollywood big shots who will bet on anything is having its World Premiere at the Palm Springs International Film Festival. Other notable films include "A Very Mary Christmas" starring Elliott Gould, Cloris Leachman, Linda Gray, Gene Simmons, Della Reese, Fred Willard, Cybil Shepherd, Lainie Kazan and Olesya Rulin, "Adopt a Sailor," starring Bebe Neuwirth, Peter Coyote and Ethan Peck, "An Evergreen Christmas," featuring the legendary Robert Loggia, "I Didn't Come Here to Die," "A Thousand Cuts," the PBS special "Diahann Carroll, The Lady, The Music, The Legend," and many more, plus a variety of commercials and music videos with plenty of projects in development.

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Additional information:

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Film Performances

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Film Production

Consulting Producer:
2016  Still Single

Executive Producer:
2013  Jerome's Bouquet
2016  Still Single
2018  Bachelor Lions

Line Producer:
2008  Adopt a Sailor
2013  Jerome's Bouquet
2016  Still Single
2018  Bachelor Lions

Producer:
2008  Adopt a Sailor
2010  Expecting Mary
2012  A Thousand Cuts
2012  Hit & Run
2013  Jerome's Bouquet
2014  An Evergreen Christmas
2014  Back in the Day
2016  Still Single
2018  Bachelor Lions
2019  7 Days to Vegas

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.