A work in constant progress (and occasional regress).
Kristy Guevara-Flanagan is an Associate Professor at UCLA’s School of Theatre, Film and Television where she heads the MFA Directing Documentary concentration. She has been making documentary films that focus on gender and representation for nearly two decades, starting with a 1999 experimental documentary about a blow-up doll (which screened at the Los Angeles Country Museum of Art, among other venues). Guevara-Flanagan’s documentary and experimental films have screened at the Sundance, Tribeca, SXSW, and HotDocs film festivals and the Getty Museum. Her work has been broadcast on PBS and the Sundance Channel, received numerous awards, and been funded by ITVS, the Sundance Institute, the Tribeca Institute, Latino Public Broadcasting and California Humanities.
Director:
2008 Going on 13
2012 Wonder Women!: The Untold Story of American Superheroines
2016 What Happened to Her
2018 Mothertime
2021 Eagles
2022 Body Parts
2023 Sex on Screen
2024 As Long As We Can
Editor:
2008 Going on 13
2009 A Village Called Versailles
2012 Wonder Women!: The Untold Story of American Superheroines
2016 What Happened to Her
2018 Mothertime
2021 Eagles
2022 Body Parts
2023 Sex on Screen
2024 As Long As We Can
Executive Producer:
2008 Going on 13
2009 A Village Called Versailles
2012 Wonder Women!: The Untold Story of American Superheroines
2016 What Happened to Her
2018 Mothertime
2020 Shéár Avory: To Be Continued
2021 Eagles
2022 Body Parts
2023 Sex on Screen
2024 As Long As We Can
Producer:
2008 Going on 13
2009 A Village Called Versailles
2012 Wonder Women!: The Untold Story of American Superheroines
2016 What Happened to Her
2018 Mothertime
2020 Shéár Avory: To Be Continued
2021 Eagles
2022 Body Parts
2023 Sex on Screen
2024 As Long As We Can
???? Dear Lily
Writer:
2008 Going on 13
2009 A Village Called Versailles
2012 Wonder Women!: The Untold Story of American Superheroines
2016 What Happened to Her
2018 Mothertime
2020 Shéár Avory: To Be Continued
2021 Eagles
2022 Body Parts
2023 Sex on Screen
2024 As Long As We Can
???? Dear Lily
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.