A work in constant progress (and occasional regress).
Birthplace:
Münster, Germany
Born:
December 24, 1971
Additional Director of Photography:
2023 Bearland
Director:
2004 Viva Vicuña
2005 Wild Rio
2011 Russia - In the Realm of Tigers, Bears and Volcanoes
2011 The Falls of Iguaçu
2011 The Phantom Cat: Jaguar
2012 Europe's Last Wild Horses
2020 Wild Portugal
2021 The Accidental Wilderness: Europe's Everglades
2022 Nature's Magic Moments
2023 Argentina Salvaje
2023 Bearland
Director of Photography:
2004 Viva Vicuña
2005 Wild Rio
2006 Lang Lang in China
2011 Russia - In the Realm of Tigers, Bears and Volcanoes
2011 The Falls of Iguaçu
2011 The Phantom Cat: Jaguar
2012 Europe's Last Wild Horses
2020 Wild Portugal
2021 The Accidental Wilderness: Europe's Everglades
2022 Nature's Magic Moments
2023 Argentina Salvaje
2023 Bearland
Producer:
2004 Viva Vicuña
2005 Wild Rio
2006 Lang Lang in China
2011 Russia - In the Realm of Tigers, Bears and Volcanoes
2011 The Falls of Iguaçu
2011 The Phantom Cat: Jaguar
2012 Europe's Last Wild Horses
2012 Raccoons: The New Europeans
2020 Wild Portugal
2021 The Accidental Wilderness: Europe's Everglades
2022 Nature's Magic Moments
2023 Argentina Salvaje
2023 Bearland
Writer:
2004 Viva Vicuña
2005 Wild Rio
2006 Lang Lang in China
2011 Russia - In the Realm of Tigers, Bears and Volcanoes
2011 The Falls of Iguaçu
2011 The Phantom Cat: Jaguar
2012 Europe's Last Wild Horses
2012 Raccoons: The New Europeans
2020 Wild Portugal
2021 The Accidental Wilderness: Europe's Everglades
2022 Nature's Magic Moments
2023 Argentina Salvaje
2023 Bearland
Camera Operator:
2008 Wild Russia
Creator:
2008 Wild Russia
2010 Mythos Amazonas
Director:
1983 Natural World
2008 Wild Russia
2010 Mythos Amazonas
2011 Terra Mater
2011 Wild Amazon
???? Die Anden - Natur am Limit
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.