Veronica Fury

Veronica Fury is an Executive Producer and Principal of WildBear Entertainment. WildBear produces over 150 hours of factual Screen content every year and has offices in Canberra, Brisbane, and Sydney.  With over 60 commissioned television and feature documentaries to her name, Veronica has worked with television broadcasters in Australia such as ABC TV, Discovery, and SBS, as well as major international broadcasters including ZDF Arte, Nat Geo, American Heroes Channel, TG4, France 5, BBC and Arte France.  Veronica has a track record of producing high profile, award-winning feature documentaries including TIFF selected Machete Maidens Unleashed! and AACTA award nominated film Curse of the Gothic Symphony. In 2015, Electric Boogaloo: The Wild, Untold Story of Cannon Films premiered at TIFF and London.  Film Festival before being released by Warner Brothers. Her most recent feature documentaries include Iron Fists and Kung-Fu Kicks which was commissioned by Netflix, premiered at MIFF and was selected for Sitges, Fantastic Fest and L'Étrange Festival and biography Brock: Over The Top for Universal Pictures and ABC TV.  Recently Veronica produced popular series Aussie Mega Mechanics and Demolition Down Under for Network 10 and Discovery. She has also produced the ob-doc series commissioned by BBC Scotland, Scottish Vets Down Under which has also been picked up locally by the ABC.

Additional information:

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Executive Producer:
2021  And We Danced

Producer:
2014  Coral Triangle
2014  Wild Ones
2018  The Fatal Conflict: Judea and Rome
2021  And We Danced

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.