A work in constant progress (and occasional regress).
Alias:
Evans Yiu Shing Chan
Birthplace:
China
Evans Chan (陳耀成) is a cultural critic, playwright and film director born in China and raised in Macao and Hong Kong. In 1991, he founded Riverdrive Productions Co (逾流製作社有限公司), with the backing of Willy Tsao (曹誠 淵).
Associate Producer:
2014 Rampage: Capital Punishment
Director:
1992 To Liv(e)
1994 Crossings
1998 Journey to Beijing
2000 Adeus Macau
2001 The Map of Sex and Love
2003 The Life and Times of Wu Zhong Xian
2011 Datong: The Great Society
2014 Rampage: Capital Punishment
2016 Raise The Umbrellas
2017 Death in Montmartre
2019 Love and Death in Montmartre
2020 We Have Boots
???? Sorceress of the New Piano
Editor:
1992 To Liv(e)
1994 Crossings
1998 Journey to Beijing
2000 Adeus Macau
2001 The Map of Sex and Love
2003 The Life and Times of Wu Zhong Xian
2011 Datong: The Great Society
2014 Rampage: Capital Punishment
2016 Raise The Umbrellas
2017 Death in Montmartre
2019 Love and Death in Montmartre
2020 We Have Boots
???? Sorceress of the New Piano
Screenplay:
1992 To Liv(e)
1994 Crossings
1998 Journey to Beijing
2000 Adeus Macau
2001 The Map of Sex and Love
2003 The Life and Times of Wu Zhong Xian
2011 Datong: The Great Society
2014 Rampage: Capital Punishment
2016 Raise The Umbrellas
2017 Death in Montmartre
2019 Love and Death in Montmartre
2020 We Have Boots
???? Sorceress of the New Piano
Writer:
1992 To Liv(e)
1994 Crossings
1998 Journey to Beijing
2000 Adeus Macau
2001 The Map of Sex and Love
2003 The Life and Times of Wu Zhong Xian
2011 Datong: The Great Society
2014 Rampage: Capital Punishment
2016 Raise The Umbrellas
2017 Death in Montmartre
2019 Love and Death in Montmartre
2020 We Have Boots
???? Sorceress of the New Piano
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.