A work in constant progress (and occasional regress).
Alias:
Matt Hannam
Birthplace:
Winnipeg, Manitoba, Canada
Born:
September 8, 1981
Matthew Hannam (born September 8, 1981) is a Canadian film and television editor and director. He is a two-time Canadian Screen Award winner for editing, winning the award for Best Film Editing at the 2nd Canadian Screen Awards in 2014 for his work on the film Enemy and the award for Best Editing in a Comedy Series at the 3rd Canadian Screen Awards for his work on the series Sensitive Skin, and was a Genie Award nominee for Best Film Editing at the 31st Genie Awards in 2011 for the film Trigger. His other credits include the films This Movie Is Broken, Oliver Sherman, Antiviral, James White and Into the Forest, and the television series Doctor*Ology, Michael: Every Day, Less Than Kind, Sensitive Skin and The OA. His debut short film as a director, Paseo, was released in 2018 and was named to the Toronto International Film Festival's annual year-end Canada's Top Ten list.
Additional Editor:
2006 My Dad Is 100 Years Old
Director:
2006 My Dad Is 100 Years Old
2018 Paseo
Editor:
2006 My Dad Is 100 Years Old
2007 Loudly, Death Unties
2010 This Movie Is Broken
2010 Trigger
2011 Oliver Sherman
2011 The Entitled
2012 Antiviral
2013 Dive
2014 Enemy
2015 James White
2015 Never Happened
2016 Into the Forest
2016 Swiss Army Man
2017 Bird
2017 It Comes at Night
2018 Final Offer
2018 Paseo
2018 Vox Lux
2018 Wildlife
2020 Possessor
2020 The Nest
2022 White Noise
2023 The Iron Claw
2024 Babygirl
2024 My First Film
Screenplay:
2006 My Dad Is 100 Years Old
2007 Loudly, Death Unties
2010 This Movie Is Broken
2010 Trigger
2011 Oliver Sherman
2011 The Entitled
2012 Antiviral
2013 Dive
2014 Enemy
2015 James White
2015 Never Happened
2016 Into the Forest
2016 Swiss Army Man
2017 Bird
2017 It Comes at Night
2018 Final Offer
2018 Paseo
2018 Vox Lux
2018 Wildlife
2020 Possessor
2020 The Nest
2022 White Noise
2023 The Iron Claw
2024 Babygirl
2024 My First Film
Story:
2006 My Dad Is 100 Years Old
2007 Loudly, Death Unties
2010 This Movie Is Broken
2010 Trigger
2011 Oliver Sherman
2011 The Entitled
2012 Antiviral
2013 Dive
2014 Enemy
2015 James White
2015 Never Happened
2016 Into the Forest
2016 Swiss Army Man
2017 Bird
2017 It Comes at Night
2018 Final Offer
2018 Paseo
2018 Vox Lux
2018 Wildlife
2020 Possessor
2020 The Nest
2022 White Noise
2023 The Iron Claw
2024 Babygirl
2024 My First Film
Title Designer:
2006 My Dad Is 100 Years Old
2007 Loudly, Death Unties
2010 This Movie Is Broken
2010 Trigger
2011 Oliver Sherman
2011 The Entitled
2012 Antiviral
2013 Dive
2014 Enemy
2015 James White
2015 Never Happened
2016 Into the Forest
2016 Swiss Army Man
2017 Bird
2017 It Comes at Night
2018 Final Offer
2018 Paseo
2018 Vox Lux
2018 Wildlife
2020 Possessor
2020 The Nest
2022 White Noise
2023 The Iron Claw
2024 Babygirl
2024 My First Film
Editor:
2016 The OA
2021 The North Water
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.