A work in constant progress (and occasional regress).
Alias:
Harold Young
Birthplace:
England, UK
From Wikipedia, the free encyclopedia Hal Young (1890–1970) was a British cinematographer. After gaining experience in Hollywood he returned to his native Britain where he was employed by Gainsborough Pictures.
Camera Operator:
1916 The Dark Silence
1919 Fires of Faith
Cinematography:
1916 The Dark Silence
1917 The Easiest Way
1919 Fires of Faith
Director of Photography:
1915 Madame Butterfly
1916 Diplomacy
1916 The Common Law
1916 The Dark Silence
1916 The Foolish Virgin
1917 The Easiest Way
1918 A Woman of Impulse
1918 At the Mercy of Men
1918 Let's Get a Divorce
1918 My Cousin
1919 Fires of Faith
1921 Burn 'Em Up Barnes
1921 The Princess of New York
1925 The Prude's Fall
1925 The Rat
1926 The Triumph of the Rat
1927 The Lodger: A Story of the London Fog
1930 Suspense
1930 The Love Storm
1930 Tons of Money
1931 Many Waters
1932 Love on the Spot
1936 Broken Blossoms
1942 Night Shift
1946 Land of Promise
1954 The Devil’s Jest
Film Processor:
1915 Madame Butterfly
1916 Diplomacy
1916 The Common Law
1916 The Dark Silence
1916 The Foolish Virgin
1917 The Easiest Way
1918 A Woman of Impulse
1918 At the Mercy of Men
1918 Let's Get a Divorce
1918 My Cousin
1919 Fires of Faith
1921 Burn 'Em Up Barnes
1921 The Princess of New York
1923 Fighting Blood
1925 The Prude's Fall
1925 The Rat
1926 The Triumph of the Rat
1927 The Lodger: A Story of the London Fog
1930 Suspense
1930 The Love Storm
1930 Tons of Money
1931 Many Waters
1932 Love on the Spot
1936 Broken Blossoms
1942 Night Shift
1946 Land of Promise
1954 The Devil’s Jest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.