A work in constant progress (and occasional regress).
Alias:
Tooraj Mansoori
Tooraj Mansouri
Touraj Mansoori
Touraj Mansouri
تورج منصوری
Birthplace:
Tehran, Iran
Born:
January 1, 1954
Turaj Mansuri is an Iranian cinematographer, director and producer. He is the current president of the Iranian Society of Cinematographers.
Assistant Director:
1984 The Man Who Knew too Much
Cinematography:
1984 The Man Who Knew too Much
1989 Eye of the Hurricane
1992 The Lady
1994 Battle of Oil Tankers
2001 The Poisonous Mushroom
2003 The Silent King
2004 Mum's Guest
2007 Empty Hands
2008 Invitation
2010 Private
2025 Moses The Kalimullah: At Dawn
Director:
1984 The Man Who Knew too Much
1989 Eye of the Hurricane
1992 The Lady
1993 Baziche
1994 Battle of Oil Tankers
2001 The Poisonous Mushroom
2003 The Silent King
2004 Mum's Guest
2004 The Choice
2007 Empty Hands
2008 Invitation
2010 Private
2025 Moses The Kalimullah: At Dawn
Director of Photography:
1984 The Man Who Knew too Much
1989 Eye of the Hurricane
1990 Hamoon
1992 The Lady
1993 Baziche
1994 Battle of Oil Tankers
2001 The Poisonous Mushroom
2003 The Silent King
2004 Mum's Guest
2004 The Choice
2007 Empty Hands
2007 The Music Man
2008 Invitation
2008 The Song of Sparrows
2010 Private
2011 Crime
2012 Facing Mirrors
2016 Bench Cinema
2025 Moses The Kalimullah: At Dawn
Producer:
1984 The Man Who Knew too Much
1989 Eye of the Hurricane
1990 Hamoon
1992 The Lady
1993 Baziche
1994 Battle of Oil Tankers
2001 The Poisonous Mushroom
2003 The Silent King
2004 Mum's Guest
2004 The Choice
2007 Empty Hands
2007 The Music Man
2008 Invitation
2008 The Song of Sparrows
2010 Private
2011 Crime
2012 Facing Mirrors
2016 Bench Cinema
2022 Laleh
2025 Moses The Kalimullah: At Dawn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.