A work in constant progress (and occasional regress).
Birthplace:
Sherbrooke, Québec, Canada
Born:
October 27, 1915
Died:
September 28, 1994
Herschel "Harry" Saltzman (October 27, 1915 – September 28, 1994) was a Canadian theatre and film producer. He is best remembered for co-producing the first nine of the James Bond film series with Albert R. Broccoli. He lived most of his life in Denham, Buckinghamshire, England. Saltzman was born in a hospital in Sherbrooke, Quebec, the son of Jewish immigrants Abraham Saltzman and Dora Horstein. He was raised in Saint John, New Brunswick for the first seven years of his life. His father, a horticulturalist, immigrated to the US in 1905 from Kozienice, Poland (then the Russian Empire), marrying Dora in 1909. The couple moved to Canada in 1910 where their four oldest children (Minnie, Florence, Harry and Isadore) were born, before moving the family to Cleveland, Ohio where their youngest son, David, was born. Harry ran away from home at the age of 15. Saltzman was 30 when he learned where he had actually been born. At about age 17, Saltzman joined a circus and travelled with them for some years. In 1932, Saltzman moved to Paris to study political science and economics. However within a year, he was "hand-picking talent for 40 two-a-day vaudeville houses all over Europe." Saltzman claimed that he had worked as an assistant for French film director René Clair, who came to the United States in 1940 to make the film The Flame of New Orleans. In 1942, Saltzman signed a booking contract with Fanchon & Marco Enterprises. Saltzman went to the West Coast to sign big picture names. Saltzman sought the Ritz Brothers, but due to film commitments, they could not sign. In 1943, Saltzman was managing The Gilbert Brothers' Combined Circus. According to an advert, the 1943 season began 26 May in Clifton, New Jersey, and was booked solid through the Eastern American states until mid-October. Shortly after World War II began, he enlisted with the Royal Canadian Air Force in Vancouver. He received a medical discharge in Trenton, Ontario in 1943, and joined the U.S. Psychological Warfare Bureau, because he wanted to get back to Europe. Saltzmann was initially stationed at the North African theatre in 1943 before being reassigned to London. In 1945, Saltzman helped Lin Yutang establish UNESCO's film division, which was initially focused on trying to mediate the Chinese Civil War between the Communist Party and the Kuomintang. He eventually quit due to "east-west differences" which to him seemed "so hopeless". Saltzman spent a year with the French government's Ministry of Reconstruction. At that point, he decided he wanted back in show business. ... Source: Article "Harry Saltzman" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Co-Producer:
1988 Time of the Gypsies
Executive Producer:
1960 Saturday Night and Sunday Morning
1963 Call Me Bwana
1966 Funeral in Berlin
1980 Nijinsky
1988 Time of the Gypsies
Presenter:
1960 Saturday Night and Sunday Morning
1962 Dr. No
1963 Call Me Bwana
1963 From Russia with Love
1964 Goldfinger
1965 Thunderball
1966 Funeral in Berlin
1980 Nijinsky
1988 Time of the Gypsies
Producer:
1956 The Iron Petticoat
1959 Look Back in Anger
1960 Saturday Night and Sunday Morning
1960 The Entertainer
1962 Dr. No
1963 Call Me Bwana
1963 From Russia with Love
1964 Goldfinger
1965 A Man Named John
1965 Chimes at Midnight
1965 The Ipcress File
1965 Thunderball
1966 Funeral in Berlin
1967 Billion Dollar Brain
1967 You Only Live Twice
1969 Battle of Britain
1969 On Her Majesty's Secret Service
1969 Play Dirty
1970 Toomorrow
1971 Diamonds Are Forever
1973 Live and Let Die
1974 The Man with the Golden Gun
1980 Nijinsky
1988 Time of the Gypsies
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.