John Beug

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Associate Producer:
1978  Up in Smoke

Co-Executive Producer:
1978  Up in Smoke
2011  Fastest

Executive In Charge Of Production:
1978  Up in Smoke
1994  Eagles: Hell Freezes Over
2011  Fastest

Executive Producer:
1978  Up in Smoke
1994  Eagles: Hell Freezes Over
1999  Clapton Chronicles: The Best of Eric Clapton
2000  Paul Simon: You're The One
2000  Steely Dan: Two Against Nature
2004  Dream Theater: Riding the Train of Thought
2004  Eric Clapton's Crossroads Guitar Festival
2006  Too Tough to Die: A Tribute to Johnny Ramone
2009  Eric Clapton and Steve Winwood: Live from Madison Square Garden
2011  Fastest
2011  Wynton Marsalis and Eric Clapton Play the Blues - Live from Jazz at Lincoln Center
2014  Take Me to the River
2014  The Dukes of September - Live at Lincoln Center
2017  Eric Clapton - Live in San Diego
2021  Learning to Live Together: The Return of Mad Dogs & Englishmen
2022  Take Me to the River: New Orleans

Producer:
1978  Up in Smoke
1994  Eagles: Hell Freezes Over
1999  Clapton Chronicles: The Best of Eric Clapton
2000  Paul Simon: You're The One
2000  Steely Dan: Two Against Nature
2004  Dream Theater: Riding the Train of Thought
2004  Eric Clapton's Crossroads Guitar Festival
2006  Too Tough to Die: A Tribute to Johnny Ramone
2009  Eric Clapton and Steve Winwood: Live from Madison Square Garden
2010  When You're Strange
2011  Fastest
2011  Wynton Marsalis and Eric Clapton Play the Blues - Live from Jazz at Lincoln Center
2014  Take Me to the River
2014  The Dukes of September - Live at Lincoln Center
2017  Chasing Trane
2017  Eric Clapton - Live in San Diego
2021  Buddy Guy: The Blues Chase The Blues Away
2021  Learning to Live Together: The Return of Mad Dogs & Englishmen
2022  Eric Clapton - Nothing But The Blues
2022  Take Me to the River: New Orleans
2022  Travelin' Band: Creedence Clearwater Revival at the Royal Albert Hall

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.