A work in constant progress (and occasional regress).
Alias:
James Edward Barton
Birthplace:
Gloucester City, New Jersey, USA
Born:
October 31, 1890
Died:
February 19, 1962
James Barton (November 1, 1890 - February 19, 1962) was an American vaudevillian and a character actor in films and television. Born into a theatrical family in Gloucester City, New Jersey, Barton began performing in minstrel shows and burlesque houses throughout the country in 1898. His years of experience working with African American performers led to his becoming one of the first jazz dancers in America. After working with repertory companies in the South and Midwest, he made his Broadway debut in the musical revue The Passing Show of 1919 in a role originally intended for Ed Wynn. He frequently was the highlight in mediocre productions, and a critic for the Daily News noted, "Whenever the book failed him, he shuffled into one or more of his eccentric dances." Additional theatre credits include Sweet and Low, Tobacco Road, The Iceman Cometh, and Paint Your Wagon. Barton's film career began in the silent era. His screen credits include The Time of Your Life, Here Comes the Groom, and The Misfits. On television he appeared in The Ford Television Theatre, Lux Video Theatre, Studio One, The Kaiser Aluminum Hour, Playhouse 90, Kraft Television Theatre, The Rifleman, Adventures in Paradise, and Naked City. Barton died of a heart attack in Mineola, New York. Bing Crosby considered James Barton to be one his ten favorite performers of all time, alongside names such as Al Jolson, Frank Sinatra, Lena Horne, Louis Armstrong, Judy Garland and Nat King Cole. Description above from the Wikipedia article James Barton (vaudevillian), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.