A work in constant progress (and occasional regress).
Additional Camera:
2007 Katie Morgan on Sex Toys
2012 Katie Does Manhattan
Camera Operator:
2006 Discovering William Greaves
2007 Katie Morgan on Sex Toys
2009 CHE and the Digital Cinema Revolution
2012 Katie Does Manhattan
2016 Way Out on a Limb
2019 In Full Swing
2019 Jay Cocks and Farran Smith Nehme on 'The Heiress'
Cinematography:
1979 Robert Rauschenberg: Retrospective
1986 Mies
1996 Louis Kahn: Silence and Light
2006 Discovering William Greaves
2007 Holiday Train Show With David Hartman
2007 Katie Morgan on Sex Toys
2008 Making Mishima
2009 CHE and the Digital Cinema Revolution
2012 Katie Does Manhattan
2016 Way Out on a Limb
2019 In Full Swing
2019 Jay Cocks and Farran Smith Nehme on 'The Heiress'
???? Miles Goes Modal
???? Working with Einstein
Director:
1979 Robert Rauschenberg: Retrospective
1986 Mies
1986 Ralph Erskine
1996 Louis Kahn: Silence and Light
2006 Discovering William Greaves
2007 Holiday Train Show With David Hartman
2007 Katie Morgan on Sex Toys
2008 Making Mishima
2009 CHE and the Digital Cinema Revolution
2012 Katie Does Manhattan
2016 Way Out on a Limb
2019 In Full Swing
2019 Jay Cocks and Farran Smith Nehme on 'The Heiress'
???? Miles Goes Modal
???? Working with Einstein
Director of Photography:
1979 Robert Rauschenberg: Retrospective
1980 Making Dances: Seven Post-Modern Choreographers
1981 We Were German Jews
1982 Philip Guston: A Life Lived
1985 Empire City
1986 A Composer’s Notes: Philip Glass and the Making of an Opera
1986 Mies
1986 Ralph Erskine
1989 Japan: 3 Generations of Avant-Garde Architects
1990 Hollywood Mavericks
1992 After Modernism: The Dilemma of Influence
1993 The Sensual Nature of Sound: 4 Composers Laurie Anderson, Tania Leon, Meredith Monk, Pauline Oliveros
1994 Musical Outsiders: An American Legacy
1996 Louis Kahn: Silence and Light
1998 Glorious Technicolor
1999 Speaking of Abstraction: A Universal Language
2001 Sol LeWitt: 4 Decades
2003 Conversations with Philip Guston
2004 The Cremaster Cycle: A Conversation with Matthew Barney
2004 The Iceman and the Psychiatrist
2006 Discovering William Greaves
2007 Holiday Train Show With David Hartman
2007 Jeff Wall: Retrospective
2007 Katie Morgan on Sex Toys
2007 Our Paul: Remembering Paul Robeson
2008 Louise Bourgeois: The Spider, The Mistress And The Tangerine
2008 Making Mishima
2009 CHE and the Digital Cinema Revolution
2012 Katie Does Manhattan
2012 Kenneth Frampton: A Critical Voice
2012 Lebbeus Woods + Steven Holl: The Practice of Architecture
2012 Lee Ufan: Marking Infinity
2012 The Juilliard String Quartet: Keeping Beethoven Contemporary
2014 Greg Lynn: Archaeologist of the Digital
2014 The Artist's Studio: Carroll Dunham
2016 George Segal
2016 Way Out on a Limb
2019 In Full Swing
2019 Jay Cocks and Farran Smith Nehme on 'The Heiress'
2019 Miles Davis: Birth of the Cool
2023 Birthing a Nation: The Resistance of Mary Gaffney
???? Miles Goes Modal
???? Working with Einstein
Additional Director of Photography:
1994 Baseball
Camera Operator:
1994 Baseball
2017 My Brother, My Brother and Me
Director of Photography:
1994 Baseball
2001 School: The Story of American Public Education
2017 My Brother, My Brother and Me
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.