Mead Hunt

Gallery Unavailable

Additional information:

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Additional Camera:
2007  Katie Morgan on Sex Toys
2012  Katie Does Manhattan

Camera Operator:
2006  Discovering William Greaves
2007  Katie Morgan on Sex Toys
2009  CHE and the Digital Cinema Revolution
2012  Katie Does Manhattan
2016  Way Out on a Limb
2019  In Full Swing
2019  Jay Cocks and Farran Smith Nehme on 'The Heiress'

Cinematography:
1979  Robert Rauschenberg: Retrospective
1986  Mies
1996  Louis Kahn: Silence and Light
2006  Discovering William Greaves
2007  Holiday Train Show With David Hartman
2007  Katie Morgan on Sex Toys
2008  Making Mishima
2009  CHE and the Digital Cinema Revolution
2012  Katie Does Manhattan
2016  Way Out on a Limb
2019  In Full Swing
2019  Jay Cocks and Farran Smith Nehme on 'The Heiress'
????  Miles Goes Modal
????  Working with Einstein

Director:
1979  Robert Rauschenberg: Retrospective
1986  Mies
1986  Ralph Erskine
1996  Louis Kahn: Silence and Light
2006  Discovering William Greaves
2007  Holiday Train Show With David Hartman
2007  Katie Morgan on Sex Toys
2008  Making Mishima
2009  CHE and the Digital Cinema Revolution
2012  Katie Does Manhattan
2016  Way Out on a Limb
2019  In Full Swing
2019  Jay Cocks and Farran Smith Nehme on 'The Heiress'
????  Miles Goes Modal
????  Working with Einstein

Director of Photography:
1979  Robert Rauschenberg: Retrospective
1980  Making Dances: Seven Post-Modern Choreographers
1981  We Were German Jews
1982  Philip Guston: A Life Lived
1985  Empire City
1986  A Composer’s Notes: Philip Glass and the Making of an Opera
1986  Mies
1986  Ralph Erskine
1989  Japan: 3 Generations of Avant-Garde Architects
1990  Hollywood Mavericks
1992  After Modernism: The Dilemma of Influence
1993  The Sensual Nature of Sound: 4 Composers Laurie Anderson, Tania Leon, Meredith Monk, Pauline Oliveros
1994  Musical Outsiders: An American Legacy
1996  Louis Kahn: Silence and Light
1998  Glorious Technicolor
1999  Speaking of Abstraction: A Universal Language
2001  Sol LeWitt: 4 Decades
2003  Conversations with Philip Guston
2004  The Cremaster Cycle: A Conversation with Matthew Barney
2004  The Iceman and the Psychiatrist
2006  Discovering William Greaves
2007  Holiday Train Show With David Hartman
2007  Jeff Wall: Retrospective
2007  Katie Morgan on Sex Toys
2007  Our Paul: Remembering Paul Robeson
2008  Louise Bourgeois: The Spider, The Mistress And The Tangerine
2008  Making Mishima
2009  CHE and the Digital Cinema Revolution
2012  Katie Does Manhattan
2012  Kenneth Frampton: A Critical Voice
2012  Lebbeus Woods + Steven Holl: The Practice of Architecture
2012  Lee Ufan: Marking Infinity
2012  The Juilliard String Quartet: Keeping Beethoven Contemporary
2014  Greg Lynn: Archaeologist of the Digital
2014  The Artist's Studio: Carroll Dunham
2016  George Segal
2016  Way Out on a Limb
2019  In Full Swing
2019  Jay Cocks and Farran Smith Nehme on 'The Heiress'
2019  Miles Davis: Birth of the Cool
2023  Birthing a Nation: The Resistance of Mary Gaffney
????  Miles Goes Modal
????  Working with Einstein

Additional Director of Photography:
1994  Baseball

Camera Operator:
1994  Baseball
2017  My Brother, My Brother and Me

Director of Photography:
1994  Baseball
2001  School: The Story of American Public Education
2017  My Brother, My Brother and Me

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.