A work in constant progress (and occasional regress).
From Wikipedia, the free encyclopedia Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight", "Long Ago (and Far Away)" and "Who?". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and E. Y. Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejected, earlier musical theatre tradition. He and his collaborators also employed his melodies to further the action or develop characterization to a greater extent than in the other musicals of his day, creating the model for later musicals. Although dozens of Kern's musicals and musical films were hits, only Show Boat is now regularly revived. Songs from his other shows, however, are still frequently performed and adapted. Many of Kern's songs have been adapted by jazz musicians to become standard tunes.
Music:
1935 Roberta
1935 The Flame Within
1936 Show Boat
1938 Joy of Living
1944 Can't Help Singing
1944 Cover Girl
1989 Show Boat
Original Music Composer:
1934 Music in the Air
1935 Roberta
1935 The Flame Within
1936 Show Boat
1936 Swing Time
1938 Joy of Living
1942 You Were Never Lovelier
1944 Can't Help Singing
1944 Cover Girl
1946 Till the Clouds Roll By
1989 Show Boat
Songs:
1929 Show Boat
1930 Sunny
1930 The Three Sisters
1934 Music in the Air
1935 Roberta
1935 The Flame Within
1936 Show Boat
1936 Swing Time
1937 High, Wide and Handsome
1938 Joy of Living
1942 You Were Never Lovelier
1944 Can't Help Singing
1944 Cover Girl
1946 Centennial Summer
1946 Till the Clouds Roll By
1951 Show Boat
1952 Lovely to Look At
1969 Roberta
1989 Show Boat
2015 Show Boat
2015 Show Boat
Theatre Play:
1929 Show Boat
1930 Sunny
1930 The Three Sisters
1934 Music in the Air
1934 The Cat and the Fiddle
1935 Roberta
1935 The Flame Within
1936 Show Boat
1936 Swing Time
1937 High, Wide and Handsome
1938 Joy of Living
1942 You Were Never Lovelier
1944 Can't Help Singing
1944 Cover Girl
1946 Centennial Summer
1946 Till the Clouds Roll By
1951 Show Boat
1952 Lovely to Look At
1969 Roberta
1989 Show Boat
2015 Show Boat
2015 Show Boat
Writer:
1929 Show Boat
1930 Sunny
1930 The Three Sisters
1934 Music in the Air
1934 Sweet Adeline
1934 The Cat and the Fiddle
1935 Roberta
1935 The Flame Within
1936 Show Boat
1936 Swing Time
1937 High, Wide and Handsome
1938 Joy of Living
1942 You Were Never Lovelier
1944 Can't Help Singing
1944 Cover Girl
1946 Centennial Summer
1946 Till the Clouds Roll By
1951 Show Boat
1952 Lovely to Look At
1969 Roberta
1989 Show Boat
2015 Show Boat
2015 Show Boat
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.