A work in constant progress (and occasional regress).
Pakak Innuksuk is an actor, performer, and drum dancer from Igloolik (Iglulik), Nunavut. A well-established figure in major feature films, he is also the founder of Tununiq Theatre and a creator of Inuit language theatre plays. His artistic journey spans multiple disciplines, reflecting a deep connection to Inuit culture and traditions. Innuksuk’s film career includes notable roles in Uvanga, Maina, Journals of Knud Rasmussen, and Atanardjuat: The Fast Runner. In theatre, he was part of the touring cast for Kiviuq Returns in 2016 and 2017, and his involvement with Tununiq Theatre resulted in original productions such as Changes, The Egg, Help, and Survival. His television work includes an appearance in the series The Terror. Beyond acting, Pakak Innuksuk has performed as a drum dancer internationally and nationally since 1985, sharing the powerful tradition of North Baffin Drum Dance with audiences worldwide. His artistic development has been shaped by his participation in the Qaggiq Summit and Qaggiq Teacher Training in 2016, experiences that further honed his skills in performance and teaching. In addition to his performance career, Innuksuk is a skilled carver, creating rare and spiritually resonant pieces that stand apart from commercial Inuit art. One of his notable carvings from 1992 exemplifies a distinctive and deeply personal artistic voice. His carvings carry the essence of Inuit spirituality and storytelling, preserving cultural narratives through form and texture. These works are treasured for their authenticity and emotional depth, offering a glimpse into the spiritual landscape of the North Baffin region.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.