A work in constant progress (and occasional regress).
Adaptation:
2017 Falling in love with Ramón
Associate Producer:
2017 Falling in love with Ramón
Creator:
2017 Falling in love with Ramón
2019 Ringo, la pelea de su vida
2021 S.O.S. me estoy enamorando
2023 Perdona nuestros pecados
2024 Fugitivas, en busca de la libertad
Director:
1998 Rencor apasionado
2017 Falling in love with Ramón
2019 Ringo, la pelea de su vida
2021 S.O.S. me estoy enamorando
2023 Perdona nuestros pecados
2024 Fugitivas, en busca de la libertad
Executive Producer:
1996 Para toda la vida
1998 Rencor apasionado
2001 El Noveno mandamiento
2004 Loving Again
2010 Zacatillo, un lugar en tu corazón
2011 Amorcito Corazón
2013 Head over Heels
2015 La Vecina
2017 Falling in love with Ramón
2019 Ringo, la pelea de su vida
2020 Te Doy La Vida
2021 S.O.S. me estoy enamorando
2023 Perdona nuestros pecados
2024 Fugitivas, en busca de la libertad
Production Manager:
1986 Den of Wolves
1988 El extraño retorno de Diana Salazar
1996 Para toda la vida
1998 Rencor apasionado
2001 El Noveno mandamiento
2004 Loving Again
2010 Zacatillo, un lugar en tu corazón
2011 Amorcito Corazón
2013 Head over Heels
2015 La Vecina
2017 Falling in love with Ramón
2019 Ringo, la pelea de su vida
2020 Te Doy La Vida
2021 S.O.S. me estoy enamorando
2023 Perdona nuestros pecados
2024 Fugitivas, en busca de la libertad
Writer:
1986 Den of Wolves
1988 El extraño retorno de Diana Salazar
1996 Para toda la vida
1998 Rencor apasionado
2001 El Noveno mandamiento
2004 Loving Again
2010 Zacatillo, un lugar en tu corazón
2011 Amorcito Corazón
2013 Head over Heels
2015 La Vecina
2017 Falling in love with Ramón
2019 Ringo, la pelea de su vida
2020 Te Doy La Vida
2021 S.O.S. me estoy enamorando
2023 Perdona nuestros pecados
2024 Fugitivas, en busca de la libertad
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.