A work in constant progress (and occasional regress).
Alias:
Bill Klein
Birthplace:
New York City, USA
Born:
April 19, 1926
Died:
September 10, 2022
William Klein (April 19, 1926 – September 10, 2022) was a photographer and filmmaker noted to for his ironic approach to both media and his extensive use of unusual photographic techniques in the context of photojournalism and fashion photography. Trained as a painter, Klein studied under Fernand Léger and found early success with exhibitions of his work. However, he soon moved on to photography and achieved widespread fame as a fashion photographer for Vogue and for his photo essays on various cities. Despite having no training as a photographer, Klein won the Prix Nadar in 1957 for New York, a book of photographs taken during a brief return to his hometown in 1954. Klein's work was considered revolutionary for its "ambivalent and ironic approach to the world of fashion", its "uncompromising rejection of the then prevailing rules of photography" and for his extensive use of wide-angle and telephoto lenses, natural lighting and motion blur. Klein tends to be cited in photography books along with Robert Frank as among the fathers of street photography, one of those mixed compliments that classifies a man who is hard to classify. The world of fashion would become the subject for Klein's first feature film, Who Are You, Polly Maggoo?, which, like his other two fiction features, Mr. Freedom and Le Couple Témoin, is a satire. Klein directed numerous short and feature-length documentaries and produced over 250 television commercials. Though American by birth, Klein lived and worked in France since his late teens. His work has sometimes been openly critical of American society and foreign policy; the film critic Jonathan Rosenbaum once wrote that Klein's 1968 satire Mr. Freedom was "conceivably the most anti-American movie ever made". Description above from the Wikipedia article William Klein, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Dialogue:
1966 Who Are You, Polly Maggoo?
Director:
1958 Broadway by Light
1962 Le Business et la Mode
1964 Cassius le grand
1966 Who Are You, Polly Maggoo?
1967 Far from Vietnam
1969 Mr. Freedom
1969 The Panafrican Festival in Algiers
1970 Eldridge Cleaver, Black Panther
1974 Muhammad Ali: The Greatest
1977 Hollywood, California: A Loser's Opera
1977 The Model Couple
1978 May Days
1980 The Little Richard Story
1982 The French
1985 Mode in France
1992 Babilée '91
1993 The King of Ads, Part 2
1998 In and Out of Fashion
1999 Messiah
2025 Les Troubles de la Circulation
Director of Photography:
1958 Broadway by Light
1962 Le Business et la Mode
1964 Cassius le grand
1966 Who Are You, Polly Maggoo?
1967 Far from Vietnam
1969 Mr. Freedom
1969 The Panafrican Festival in Algiers
1970 Eldridge Cleaver, Black Panther
1974 Muhammad Ali: The Greatest
1977 Hollywood, California: A Loser's Opera
1977 The Model Couple
1978 May Days
1980 The Little Richard Story
1982 The French
1985 Mode in France
1992 Babilée '91
1993 The King of Ads, Part 2
1998 In and Out of Fashion
1999 Messiah
2025 Les Troubles de la Circulation
Editor:
1958 Broadway by Light
1962 Le Business et la Mode
1964 Cassius le grand
1966 Who Are You, Polly Maggoo?
1967 Far from Vietnam
1969 Mr. Freedom
1969 The Panafrican Festival in Algiers
1970 Eldridge Cleaver, Black Panther
1974 Muhammad Ali: The Greatest
1977 Hollywood, California: A Loser's Opera
1977 The Model Couple
1978 May Days
1980 The Little Richard Story
1982 The French
1985 Mode in France
1992 Babilée '91
1993 The King of Ads, Part 2
1998 In and Out of Fashion
1999 Messiah
2025 Les Troubles de la Circulation
Original Concept:
1958 Broadway by Light
1962 Le Business et la Mode
1964 Cassius le grand
1966 Who Are You, Polly Maggoo?
1967 Far from Vietnam
1969 Mr. Freedom
1969 The Panafrican Festival in Algiers
1970 Eldridge Cleaver, Black Panther
1974 Muhammad Ali: The Greatest
1977 Hollywood, California: A Loser's Opera
1977 The Model Couple
1978 May Days
1980 The Little Richard Story
1982 The French
1985 Mode in France
1992 Babilée '91
1993 The King of Ads, Part 2
1997 Contacts: Sophie Calle
1998 In and Out of Fashion
1999 Messiah
2025 Les Troubles de la Circulation
Screenplay:
1958 Broadway by Light
1962 Le Business et la Mode
1964 Cassius le grand
1966 Who Are You, Polly Maggoo?
1967 Far from Vietnam
1969 Mr. Freedom
1969 The Panafrican Festival in Algiers
1970 Eldridge Cleaver, Black Panther
1974 Muhammad Ali: The Greatest
1977 Hollywood, California: A Loser's Opera
1977 The Model Couple
1978 May Days
1980 The Little Richard Story
1982 The French
1985 Mode in France
1992 Babilée '91
1993 The King of Ads, Part 2
1997 Contacts: Sophie Calle
1998 In and Out of Fashion
1999 Messiah
2025 Les Troubles de la Circulation
Writer:
1958 Broadway by Light
1962 Le Business et la Mode
1964 Cassius le grand
1966 Who Are You, Polly Maggoo?
1967 Far from Vietnam
1969 Mr. Freedom
1969 The Panafrican Festival in Algiers
1970 Eldridge Cleaver, Black Panther
1974 Muhammad Ali: The Greatest
1977 Hollywood, California: A Loser's Opera
1977 The Model Couple
1978 May Days
1980 The Little Richard Story
1982 The French
1985 Mode in France
1992 Babilée '91
1993 The King of Ads, Part 2
1997 Contacts: Sophie Calle
1998 In and Out of Fashion
1999 Messiah
2025 Les Troubles de la Circulation
Creator:
1989 Contacts
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.